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Gunn sets out his aim in this book to foster a fresh understanding of the narrative about David in 2 Samuel and 1 Kings, commonly known as the 'Succession Narrative,' by arguing for its fuller appreciation of its nature as a story. Gunn reviews the different hypotheses on the genre of the so-called Court History/Succession Narrative and concludes that the purpose of this story is to entertain. The work is to be considered primarily artistic and literary, and the rhetorical devices in the story are reliant on traditional motifs and devices.
Born and raised in Flint, Michigan, David Gunn is proud to have grown up in a city facing constant adversity, and to represent a community whose government knowingly poisoned its citizens for years. Now, he pulls back the curtain on Flint--like only those born and raised there can do. His advice is poignant and timely, and urges readers to never stop working through the struggle. To not create a back-up plan, and to cross the bridge and burn it behind them. To define the things they want and run toward them.Like Laura Jane Grace's Tranny and Rob Rufus' Die Young With Me, Summertime in Murdertown is part memoir, part ethnography. It sheds light on what it means to grow up amid constant violence and poverty and serves as a voice to those struggling to survive as we navigate this unpredictable and often cruel world in search of inspiration.
After almost two centuries of historical criticism, biblical scholarship has recently taken major shifts in direction, most notably toward literary study of the Bible. Much germinal criticism has taken as its primary focus narrative texts of the Hebrew Bible (the "Old Testament"). This study provides a lucid guide to the interpretive possibilities of this movement. Attempting to be both theoretical and practical, it combines discussion of methods and the business of reading in general with numerous illustrations through readings of particular texts. Gunn and Fewell discuss how literary criticism is related to other dominant ways of reading the text over the last two thousand years. In addition, they address characters, including the narrator and God; plot, modifying recent theory to accommodate the peculiar complexity of biblical narratives; and the play of language through repetition, ambiguity, multivalence, metaphor, and intertextuality. Finally, the authors discuss readers and responsibility, exploring the ideological dimension of narrative interpretation. An extensive bibliography completes the book, arranged by subject and biblical text.
Few survive the cage. Fewer still live to face the whipping post. Of those who do, few are in a state to know what is happening to them. One of those who does is ex-Legion Etrangere sergeant Sven Tveskoeg. As this stubborn, insubordinate son-of-a-bitch feels the first lash fall, he hears the desert tribes attack, and watches as they slaughter his comrades before they can execute him. Rescued from certain death, Sven joins the tribes. Until his ruthless skills come to the attention of the Death's Head, the infamous elite special ops force. They want Sven to sort out a little 'local difficulty'. But it seems all is not as it should be. Sven feels he's a pawn in a deadly game, and pawns have an unfortunate habit of being sacrificed. But Death's Head Second Lieutenant Tveskoeg, Obsidian Cross 3rd Class, is nobody's sacrifice. And even a pawn can checkmate a king...
Reading Scripture anew, the authors contend, is each time an exercise of power. It is always invested in ideology, whether spoken or unspoken. By adopting the viewpoints of marginalized women, and by examining the motivations of the male characters as they deploy power, Fewell and Gunn seek an approach to biblical interpretation that promises to liberate women and men from, rather than reinforce, religious ideologies of male dominance.
A new study of modern physical principles sheds light on the mind-body problem, freewill and other philosophical conundrums.
The essays in this volume address the interface between biblical studies, archaeology, sociology and cultural anthropology, celebrating the pioneering work of James Flanagan. In particular, this collection explores various ways in which the real ancient world is constructed by the modern critical reader with the aid of various theoretical and practical tools.The contributors to this volume have all been involved with Flanagan and his projects during his academic career and the essays carry forward the important interdisciplinary agendas he has encouraged. Part One deals with his recent interest in spatiality and Part Two with social and historical constructs.This book in James Flanagan's honour represents a significant statement of research in an area of biblical and historical research that is increasingly important yet surprisingly under-represented.
Kenn returns to the Highlands of his youth, back to the river which has haunted his dreams since boyhood. Determined to walk all the way back to its source, Kenn embarks on a journey that will lead him deep into the wilderness of his own heart. Profound and moving, Highland River is a stirring tale of what is lost and what endures, and the unexpected ways we can be renewed.
The Bible is often said to be one of the foundation texts of Western culture. The present volume shows that it goes far beyond being a religious text. The essays explore how religious, political and cultural identities, including ethnicity and gender, are embodied in biblical discourse. Following the authors, we read the Bible with new eyes: as a critic of gender, ideology, politics and culture. We ask ourselves new questions: about God's body, about women's role, about racial prejudices and about the politics of the written word. Reading Bibles, Writing Bodies crosses boundaries. It questions our most fundamental assumptions about the Bible. It shows how biblical studies can benefit from the mainstream of Western intellectual discourse, throwing up entirely new questions and offering surprising answers. Accessible, engaging and moving easily between theory and the reading of specific texts, this volume is an exciting contribution to contemporary biblical and cultural studies.