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Gerhardt Knodel
The physical origin of Gerhardt Knodel's work is in the grid: the basic structure of loom woven textiles and a universally used pattern of organization. While the grid locates his art within the textile medium and its historical evolution, it also links it to the phenomenon of centering. The intersection of horizontal and vertical, warp and weft, of longitude and latitude creates an internal order that has physical, cultural, social, and architectural meaning used by Knodel in the work. Each intersection anticipates the next one and the next, "reflecting," writes Knodel, "the entire history of weaving as a recreation of the essence of textiles, an echo of that first moment of discovery in the construction of a textile. Each new intersection returns to that original moment and is a promise of that which is to come. To weave is to renew."--Page 18.
Art in Detroit Public Places
Profiles in Diversity explores the momentous transformation in Europe from 1750-1870 by looking at the lives of European Jews who experienced it.
Makers
Here is the first comprehensive survey of modern craft in the United States. Makers follows the development of studio craft--objects in fiber, clay, glass, wood, and metal--from its roots in nineteenth-century reform movements to the rich diversity of expression at the end of the twentieth century. More than four hundred illustrations complement this chronological exploration of the American craft tradition. Keeping as their main focus the objects and the makers, Janet Koplos and Bruce Metcalf offer a detailed analysis of seminal works and discussions of education, institutional support, and the philosophical underpinnings of craft. In a vivid and accessible narrative, they highlight the value of physical skill, examine craft as a force for moral reform, and consider the role of craft as an aesthetic alternative. Exploring craft's relationship to fine arts and design, Koplos and Metcalf foster a critical understanding of the field and help explain craft's place in contemporary culture. Makers will be an indispensable volume for craftspeople, curators, collectors, critics, historians, students, and anyone who is interested in American craft.
Life Storying in Oral History
This book proposes the concept of "fictional contamination" to capture the fact that fictionalization and literary complexity can be found across different kinds of narrative. Exploring conversational storytelling in oral history and other interviews from socionarratological perspectives, the book systematically discusses key narrative features such as story templates, dialogue, double deixis, focalization or perspective-taking and mind representation as well as special narrative forms including second-person narration and narratives of vicarious experience. These features and forms attest to storytellers’ linguistic creativity and serve the function of involving listeners by making storie...
Gego
An authoritative study of Gego, whose distinctive modernist practice sits at the intersection of architecture, design, and the visual arts This important book is the first extended study of the life and work of German-born Venezuelan artist Gertrude Goldschmidt (1912-94), known as Gego. In locating the artist's contribution to postwar art and her important place in the global conversations around modernity, Mónica Amor explores her intermedial practice as a model of cultural complexity at the "edge of modernity." In situating Gego's work alongside other local archives and against her European education and global reception, Amor offers a monographic model that complicates traditional approaches to history. She investigates the full range of Gego's work, including her furniture workshop, her teaching at schools of architecture and design, her seminal reticuláreas, and her lesser-known prints. Through rigorous archival research, formal analysis, theoretical relevance, and deep exploration of historical context, this essential book unpacks Gego's radical recasting of the modern sculptural project through her engagement with architecture, craft, and design pedagogy.
Design: The Key Concepts
This is the essential student’s guide to Design – its practice, its theory and its history. Respected design writer Catherine McDermott draws from a wide range of international examples.
An Oklahoma Tribute
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Choosing Craft
Choosing Craft explores the history and practice of American craft through the words of influential artists whose lives, work, and ideas have shaped the field. Editors Vicki Halper and Diane Douglas construct an anecdotal narrative that examines the post-World War II development of modern craft, which came of age alongside modernist painting and sculpture and was greatly influenced by them as well as by traditional and industrial practices. The anthology is organized according to four activities that ground a professional life in craft--inspiration, training, economics, and philosophy. Halper and Douglas mined a wide variety of sources for their material, including artists' published writing...
Explaining Jesus
How exactly does one explain Jesus? That is the central question of this book. But the task of explaining Jesus is complicated. For many nonbelievers, skeptics, or practitioners of non- Jesus-based religions or spiritualities, it can be very strange to refer to a particular man who lived in the first century CE as someone who is still living. Even for some believers, this idea can be a difficult thing to understand—even given the teachings of their faith. Thus, whether believer or nonbeliever or somewhere in-between, for the intellectually curious, there is need for an explanation. Explaining Jesus explores the possibilities of a secular, interdisciplinary, science-based explanation for the phenomenon of Jesus.
