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CONTENIDO: Hacia una interpretación de los orígenes de la violencia colombiana - Una generalización llamada "narco-guerrilla" que esconde la guerra entre los "carteles" del narcotráfico - El plan Colombia: un instrumento, en la región Andina, para borrar las "distorsiones" que han afectado a los paradigmas en que se "sustenta" la globalización neoliberal - El Plan Colombia: una breve historia - Ecuador y Colombia: vasos comunicantes de una política militarista - Otro objetivo central del Plan Colombia - ¿Qué hacer?
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
Précis de coups d'États modernes, et autres tentatives de déstabilisation. Il paraît loin le temps où, en juin 1970, avant de contribuer au coup d'État qui renversa le président socialiste Salvador Allende et instaura la dictature du général Augusto Pinochet, Henry Kissinger déclarait à propos du Chili : " Je ne vois pas pourquoi nous devrions rester tranquilles quand un pays devient communiste à cause de l'irresponsabilité de son propre peuple. " Élaborée aux États-Unis, cette doctrine mortifère, chaque fois inaugurée par un golpe, a été mise en œuvre par les militaires en Argentine, en Bolivie, au Brésil, au Paraguay, au Pérou, en Uruguay, et par les gardes prétorie...
About Trees considers our relationship with language, landscape, perception, and memory in the Anthropocene. The book includes texts and artwork by a stellar line up of contributors including Jorge Luis Borges, Andrea Bowers, Ursula K. Le Guin, Ada Lovelace and dozens of others. Holten was artist in residence at Buro BDP. While working on the book she created an alphabet and used it to make a new typeface called Trees. She also made a series of limited edition offset prints based on her Tree Drawings.