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Sailor Song
Passed down in the oral tradition and sung traditionally as working songs, sea shanties tell the human stories of life at sea: hard graft, battling the elements, the loss of ships or pining for a lady on shore. Its pages decorated with hand-drawn or wood-cut illustrations from celebrated artist Jonny Hannah, Sailor Song addresses the current modern revival of sea shanties, and seeks to celebrate and to explore the historical, musical and social history of the traditional sea song through 40 beautiful, mournful, haunting and uplifting shanties. Acclaimed shanty devotee Gerry Smyth presents the background to each one alongside musical notation. The lyrics are elaborated with explanations of terminology, context including historical facts and accounts of life at sea, and the characters, both fictional and non-fictional, that appear in the songs from the great age of sail to the last days of square-rig. Where appropriate, a direct digital link is made to a shanty recording in the British Library Sound Archive.
Space and the Irish Cultural Imagination
This book reconstitutes the category of 'space' as a crucial element within contemporary cultural, literary and historical studies in Ireland. The study is based on the dual premise of an explosion of interest in the category of space in modern cultural criticism and social inquiry, and the consolidation of Irish studies as a significant scholarly field across a number of institutional and intellectual contexts. Besides a methodological/theoretical introduction and extended case studies, the book includes an auto-critical dimension which extends its interest into the fields of local history and life-writing.
Outrageous Fortune
Did Ireland produce a more radical and ambitious literature in the straitened circumstances of the first half of the twentieth century than it has managed to do since it began to ‘modernize’ and become more affluent from the 1960s onwards? Has Irish modernism ceded place to a prevailing naturalism that seems gritty and tough-minded, but that is aesthetically conservative and politically self-thwarted? Does the fixation with ‘de Valera’s Ireland’ in recent narrative represent a necessary settling of accounts with a dark, abusive history or is it indicative of a worrying inability on the part of Irish artists and intellectuals to respond to the very different predicaments of the post...
Noisy Island
"Noisy Island: A Short History of Irish Popular Music is the first extended scholarly engagement with Irish popular music, a phenomenon which has provided the world with some of its most enduringly influential and spectacularly successful artists. Combining expertise in Irish Cultural History and Popular Music Studies, Gerry Smyth offers an authoritative and enjoyable introduction to this important (although invariably overlooked or misunderstood) aspect of modern Irish experience." "Beginning in the early 1960s, the book traces the emergence of a distinctive Irish response to international rock music, from the early beat groups through the varieties of blues-influenced styles of the late 1960s, and on to punk and its new wave aftermath."--BOOK JACKET.
Our House
Space has emerged in recent years as a radical category in a range of related disciplines across the humanities. Of the many possible applications of this new interest, some of the most exciting and challenging have addressed the issue of domestic architecture and its function as a space for both the dramatisation and the negotiation of a cluster of highly salient issues concerning, amongst other things, belonging and exclusion, fear and desire, identity and difference. Our House is a cross-disciplinary collection of essays taking as its focus both the prospect and the possibility of ‘the house’. This latter term is taken in its broadest possible resonance, encompassing everything from t...
Music and Irish Identity
Music and Irish Identity represents the latest stage in a life-long project for Gerry Smyth, focusing here on the ways in which music engages with particular aspects of Irish identity. The nature of popular music and the Irish identity it supposedly articulates have both undergone profound change in recent years: the first as a result of technological and wider industrial changes in the organisation and dissemination of music as seen, for example, with digital platforms such as YouTube, Spotify and iTunes. A second factor has been Ireland’s spectacular fall from economic grace after the demise of the "Celtic Tiger", and the ensuing crisis of national identity. Smyth argues that if, as the ...
Decolonisation and Criticism
An accessible introduction to the concept of culture in Gramsci focusing on the relevance of Gramscia s approach for anthropologists"
Land Access and Resettlement
This book is an up-to-date, accessible and practical guide on how to optimally plan for, implement and review land access and resettlement. It provides step-by-step information on how to avoid pitfalls, ensure that best practice is being employed and the correct standards are being applied. With useful real-life examples of when projects have gone well and when they haven't, the book is based on the main lessons that have been learned on-the-ground over the past decade. Natural resource projects can have considerable impacts on local communities, chiefly due to the need to acquire large areas of land. When projects are located in developing and middle income economies, the impacts are most k...
Across the Margins
Contributors to this text discuss what it is to be British or Irish, and how people come to describe themselves as such. The study offers a interdisciplinary comparative analysis of the cultural formation of the Atlantic Archipelago.
Music in Irish Cultural History
This collection of essays, on the subject of music and Irish identity, covers a number of different musical genres and periods, produced in a coherent volume representing a significant intervention within the field of Irish music studies. The main articles include the (re-)establishment of music as a key object of Irish cultural studies, the theoretical limitations of traditional musicology, and the development of new methodologies specifically designed to address the demands of Irish music in all its aspects. With chapters ranging from the politics of betrayal in the songs of Thomas Moore to the use of music in the award-winning film Once, the book offers an analysis of key moments from Irish cultural history considered from the perspective of music. Winner of the 2010 ACIS Michael J. Durkan Prize for Books on Language and Culture.
