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Jews, Catholics, and the Burden of History
Volume XXI of the distinguished annual Studies in Contemporary Jewry marks sixty years since the end of the Second World War and forty years since the Second Vatican Council's efforts to revamp Church relations with the Jewish people and the Jewish faith. Jews, Catholics, and the Burden of History offers a collection of new scholarship on the nature of the Jewish-Catholic encounter between 1945 and 2005, with an emphasis on how this relationship has emerged from the shadow of the Holocaust.
Traces of a Jewish Artist
Graphic artist, illustrator, painter, and cartoonist Rahel Szalit (1888–1942) was among the best-known Jewish women artists in Weimar Berlin. But after she was arrested by the French police and then murdered by the Nazis at Auschwitz, she was all but lost to history, and most of her paintings have been destroyed or gone missing. Drawing on a range of primary and secondary sources, this biography recovers Szalit’s life and presents a stunning collection of her art. Szalit was a sought-after artist. Highly regarded by art historians and critics of her day, she made a name for herself with soulful, sometimes humorous illustrations of Jewish and world literature by Sholem Aleichem, Heinrich ...
Yiddish Revolutionaries in Migration
This ground-breaking history of the General Jewish Labour Bund in migration investigates how the organisation transformed itself from a revolutionary protagonist in early twentieth-century Russia to a socialist institution of secular Jewish life and yidishkayt for Jews in North and South America. By following thousands of activists’ paths from the shtetls of Eastern Europe to the working-class Yiddish neighbourhoods of New York and Buenos Aires, Frank Wolff traces the networks that connected these revolutionaries on both sides of the Atlantic, resulting in a richly detailed social history of this seminal transnational movement. This book was first published in 2014 as Neue Welten in der Neuen Welt: Die transnationale Geschichte des Allgemeinen Jüdischen Arbeiterbundes, 1897–1947 by Böhlau Verlag, Köln, ISBN 978-3412222116.
Charlottengrad
As many as half a million Russians lived in Germany in the 1920s, most of them in Berlin, clustered in and around the Charlottenburg neighborhood to such a degree that it became known as “Charlottengrad.” Traditionally, the Russian émigré community has been understood as one of exiles aligned with Imperial Russia and hostile to the Bolshevik Revolution and the Soviet government that followed. However, Charlottengrad embodied a full range of personal and political positions vis-à-vis the Soviet project, from enthusiastic loyalty to questioning ambivalence and pessimistic alienation. By closely examining the intellectual output of Charlottengrad, Roman Utkin explores how community membe...
Caviar and Ashes
""In the elegant capital city of Warsaw, the editor Mieczyslaw Grydzewski would come with his two dachshunds to a cafe called Ziemianska."" Thus begins the history of a generation of Polish literati born at the ""fin de siecle,"" They sat in Cafe Ziemianska and believed that the world moved on what they said there. ""Caviar and Ashes"" tells the story of the young avant-gardists of the early 1920s who became the radical Marxists of the late 1920s. They made the choice for Marxism before Stalinism, before socialist realism, before Marxism meant the imposition of Soviet communism in Poland. It ended tragically. Marci Shore begins with this generation's coming of age after the First World War and narrates a half-century-long journey through futurist manifestos and proletarian poetry, Stalinist terror and Nazi genocide, a journey from the literary cafes to the cells of prisons and the corridors of power. Using newly available archival materials from Poland and Russia, as well as from Ukraine and Israel, Shore explores what it meant to live Marxism as a European, an East European, and a Jewish intellectual in the twentieth century.
Diasporic Modernisms
Pairing the two concepts of diaspora and modernism, Allison Schachter formulates a novel approach to modernist studies and diasporic cultural production. Diasporic Modernisms illuminates how the relationships between migrant writers and dispersed readers were registered in the innovative practices of modernist prose fiction. The Jewish writers discussed-including S. Y. Abramovitsh, Yosef Chaim Brenner, Dovid Bergelson, Leah Goldberg, Gabreil Preil, and Kadia Molodowsky--embraced diaspora as a formal literary strategy to reflect on the historical conditions of Jewish language culture. Spanning from 1894 to 1974, the book traces the development of this diasporic aesthetic in the shifting cente...
Passing Illusions
Challenges the notion that Weimar Jews sought to be invisible or indistinguishable from other Germans by "passing" as non-Jews
An Empire of Others
Ethnographers helped to perceive, to understand and also to shape imperial as well as Soviet Russia's cultural diversity. This volume focuses on the contexts in which ethnographic knowledge was created. Usually, ethnographic findings were superseded by imperial discourse: Defining regions, connecting them with ethnic origins and conceiving national entities necessarily implied the mapping of political and historical hierarchies. But beyond these spatial conceptualizations the essays particularly address the specific conditions in which ethnographic knowledge appeared and changed. On the one hand, they turn to the several fields into which ethnographic knowledge poured and materialized, i.e., history, historiography, anthropology or ideology. On the other, they equally consider the impact of the specific formats, i.e., pictures, maps, atlases, lectures, songs, museums, and exhibitions, on academic as well as non-academic manifestations.
World History as the History of Foundations, 3000 BCE to 1500 CE
In World History as the History of Foundations, 3000 BCE to 1500 CE, Michael Borgolte investigates the origins and development of foundations from Antiquity to the end of the Middle Ages. In his survey foundations emerge not as mere legal institutions, but rather as “total social phenomena” which touch upon manifold aspects, including politics, the economy, art and religion of the cultures in which they emerged. Cross-cultural in its approach and the result of decades of research, this work represents by far the most comprehensive account of the history of foundations that has hitherto been published.
On The Eve
This is the portrait of a world on the eve of its destruction. Bernard Wasserstein presents a disturbing interpretation of the collapse of European Jewish civilization even before the Nazi onslaught and World War Two. In this revisionist account of modern European Jewry, Wasserstein shows how the harsh realities of the age devastated the lives of communities and individuals. By 1939, the Jews faced an existential crisis that was as much the result of internal decay as of external attack. Ranging from Vilna ('Jerusalem of Lithuania') to Salonica with its Judeo-Español-speaking stevedores and singers, and beyond, the book's focus is squarely on the Jews themselves rather than their persecutors. Wasserstein's aim is to 'breathe life into dry bones.' Based on vast research, written with compassion and empathy, and enlivened by dry wit, On the Eve paints a vivid and shocking picture of the European Jews in their final hour.
