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Apostolic and Prophetic promotes a vision of the church as apostolic, ecumenical, and radical. It explores the meaning of each of these ecclesial marks and their intrinsic connections. The volume thus draws a wide span between the apostolic past (tradition) and a radical perspective on the present and future ecumenical church. The book considers the concept of apostolicity emerging in patristic theology, and it examines this concept as it has been developed in some select Lutheran, Roman Catholic, and Anglican ecumenical documents. Unresolved ecumenical questions concerning ecumenical method and church ministry are frankly discussed, including critical observations on ecumenical praxis. The ...
While interest in the relationship between theology and the arts is on the rise, there are very few resources for students and teachers, let alone a comprehensive text on the subject. This book fills that lacuna by providing an anthology of readings on theological aesthetics drawn from the first century to the present. A superb sourcebook, Theological Aesthetics brings together original texts that are relevant and timely to scholars today. Editor Gesa Elsbeth Thiessen has taken a careful, inclusive approach to the book, including articles and extracts that are diverse and ecumenical as well as representative of gender and ethnicity. The book is organized chronologically, and each historical ...
A useful reference for academics and lecturers seeking quick answers to questions, or quotations-set out in chronological order, covering material typical of an undergraduate course in Theological Aesthetics.
Karl Rahner (1904–84) was one of the most significant theological voices of the twentieth century. For many his theology has come to symbolise the Catholic Church's entry into modernity. Part of his enduring appeal lies in his ability to reflect on a whole variety of issues in theology and spirituality and concentrate this plurality into a few basic convictions. This Cambridge Companion provides an accessible introduction to the main themes of Rahner's work. Written by an international array of experts, it will be of interest to both students and scholars alike. Each chapter serves as a guide to its topic and recommends further reading for additional study. The contributors also assess Rahner's significance for contemporary theology by bringing his thought into dialogue with many current concerns including: religious pluralism, spirituality, postmodernism, ecumenism, ethics and developments in political and feminist theologies.
This volume offers 37 original essays from leading scholars on the crucial topics, issues, methods, and resources for studying and teaching religion and the arts.
How and when, Herbert L. Kessler asks, was the Jewish prohibition against graven images transformed into a Christian imperative to picture God's invisibility once God had taken human form in the body of Jesus Christ?
Keeping Faith in Practice is an addition to SCM's growing Practical and Pastoral Theology list. Most books in this field are written by authors from various Protestant backgrounds. Catholic teachers in this field are frequently asked by colleagues for suggestions of Catholic resources, and find themselves at a loss. The central subject of this book is an exploration of how theology engages with the dimension of practice in the life of the Church and contemporary society and culture. The book covers the main focal points of a Catholic view of pastoral/practical theology - its foundations and different fields.
This book investigates the philosophical components of Christian faith in creation, by analyzing the distinction and the relation between creation and its Creator.The writings of Edward Schillebeeckx and David Burrell supply a terminology of distinction and relation that shapes the discourse, following in the footsteps of Aquinas. Poulsom elucidates the relational dialectic in the thought of Schillebeeckx as a way of thinking about the Creation and offers a helpful comparison with the thought of David Burrell. Relational dialectic is an organizing principle, not only of Schillebeeckx's account of creation, but of his philosophical theology more generally. It can operate as a hermeneutic for his material on praxis and humanism, in a way that resolves some problems noted by other Schillebeeckx scholars. Poulsom's interpretation of Schillebeeckx enriches current approaches to this thinker and offers a significant contribution to thinking on the doctrine of Creation and issues surrounding the 'ontological distinction' which is of major concern in philosophical theology today.
Tilling the Church is a theology for the pilgrim church. In this book, Richard Lennan shows how the ecclesial community looks toward the fullness of God’s reign but lives within the flux of history, the site of its relationship to the trinitarian God. In this way, God’s grace “tills” the church, constantly refreshing the tradition of faith and prompting the discipleship that embodies the gospel. Tilling the Church explores the possibilities for a more faithful, just, and creative church, one responsive to the movement of grace. Fruitful engagement with grace requires the church’s conversion, the ongoing formation of a community whose words and actions reflect the hope that grace engenders.
As part of the growing literature on theology and the arts, God's Mind in that Music explores the substantial theological insight expressed in the music of jazz legend John Coltrane. Focusing on eight of Coltrane's pieces, themes under consideration include lament ("Alabama"), improvisation ("My Favorite Things" and "Ascension"), grace ("A Love Supreme"), and the Trinity ("The Father and the Son and the Holy Ghost"). By attending to the traditions of theology and of jazz criticism, and through a series of interviews with musicians, theologians, and jazz writers, Jamie Howison draws the worlds of theology and jazz into an active and vibrant conversation with each other. Built around a focused listening to John Coltrane's music as heard against the background of his life and social context, and interacting with the work of a range of writers including James Baldwin, Dorothee Soelle, Jeremy Begbie, and James Cone, God's Mind in that Music will be of interest not only to those interested in the intersection of music and theology, but also to Coltrane fans, students of jazz studies, and anyone who believes that music matters.