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Apostolic and Prophetic
Apostolic and Prophetic promotes a vision of the church as apostolic, ecumenical, and radical. It explores the meaning of each of these ecclesial marks and their intrinsic connections. The volume thus draws a wide span between the apostolic past (tradition) and a radical perspective on the present and future ecumenical church. The book considers the concept of apostolicity emerging in patristic theology, and it examines this concept as it has been developed in some select Lutheran, Roman Catholic, and Anglican ecumenical documents. Unresolved ecumenical questions concerning ecumenical method and church ministry are frankly discussed, including critical observations on ecumenical praxis. The ...
Theological Aesthetics
While interest in the relationship between theology and the arts is on the rise, there are very few resources for students and teachers, let alone a comprehensive text on the subject. This book fills that lacuna by providing an anthology of readings on theological aesthetics drawn from the first century to the present. A superb sourcebook, Theological Aesthetics brings together original texts that are relevant and timely to scholars today. Editor Gesa Elsbeth Thiessen has taken a careful, inclusive approach to the book, including articles and extracts that are diverse and ecumenical as well as representative of gender and ethnicity. The book is organized chronologically, and each historical ...
Theological Aesthetics
A useful reference for academics and lecturers seeking quick answers to questions, or quotations-set out in chronological order, covering material typical of an undergraduate course in Theological Aesthetics.
The Cambridge Companion to Karl Rahner
Karl Rahner (1904–84) was one of the most significant theological voices of the twentieth century. For many his theology has come to symbolise the Catholic Church's entry into modernity. Part of his enduring appeal lies in his ability to reflect on a whole variety of issues in theology and spirituality and concentrate this plurality into a few basic convictions. This Cambridge Companion provides an accessible introduction to the main themes of Rahner's work. Written by an international array of experts, it will be of interest to both students and scholars alike. Each chapter serves as a guide to its topic and recommends further reading for additional study. The contributors also assess Rahner's significance for contemporary theology by bringing his thought into dialogue with many current concerns including: religious pluralism, spirituality, postmodernism, ecumenism, ethics and developments in political and feminist theologies.
The Oxford Handbook of Religion and the Arts
This volume offers 37 original essays from leading scholars on the crucial topics, issues, methods, and resources for studying and teaching religion and the arts.
Spiritual Seeing
How and when, Herbert L. Kessler asks, was the Jewish prohibition against graven images transformed into a Christian imperative to picture God's invisibility once God had taken human form in the body of Jesus Christ?
The Dialectics of Creation
This book investigates the philosophical components of Christian faith in creation, by analyzing the distinction and the relation between creation and its Creator.The writings of Edward Schillebeeckx and David Burrell supply a terminology of distinction and relation that shapes the discourse, following in the footsteps of Aquinas. Poulsom elucidates the relational dialectic in the thought of Schillebeeckx as a way of thinking about the Creation and offers a helpful comparison with the thought of David Burrell. Relational dialectic is an organizing principle, not only of Schillebeeckx's account of creation, but of his philosophical theology more generally. It can operate as a hermeneutic for his material on praxis and humanism, in a way that resolves some problems noted by other Schillebeeckx scholars. Poulsom's interpretation of Schillebeeckx enriches current approaches to this thinker and offers a significant contribution to thinking on the doctrine of Creation and issues surrounding the 'ontological distinction' which is of major concern in philosophical theology today.
Art in Dispute
The Catholic Church answered Reformation-era contestations of the cult of images in a famous decree of the Council of Trent (1563). Art in Dispute revisits this response by focusing on its antecedents rather than its consequences. The mid-sixteenth century saw, besides new scholarship on Byzantine doctrines, heated debates about neo-scholastic interpretations. Disagreement, suppressed at Trent but re-emerging soon afterwards, centered on the question whether religious images were solely signs referring to holy subjects or also sacred objects in their own right. It was a debate with major implications for art theory and devotional practice. The volume contains editions and translations of texts by Martín Pérez de Ayala, Matthieu Ory, Jean Calvin, Ambrogio Catarino Politi, and Iacopo Nacchianti, along with a previously unknown draft of the Tridentine decree.
Essays in Ecumenical Theology I
In the first volume of Essays in Ecumenical Theology Ivana Noble depicts differences between what she calls a sectarian outlook and one which engages in the search for common roots, dialogical relationships and shared mission in a world that has largely become post-Christian, but often also post-secular. Drawing on both Western and Orthodox scholarship, and expressing her own positions, Noble sketches what ecumenical theology is, how it is linked to spirituality, the methods it uses, how it developed during the twentieth century, and the challenges it faces. Specific studies deal with controversial interpretations of Jan Hus, Catholic Modernism, the problematic heritage of the totalitarian regimes, and responses to the current humanitarian crisis.
Karl Rahner’s Writings on Literature, Music and the Visual Arts
This book is made up of a collection of texts unavailable in one volume until now, including six previously untranslated essays, from a major theologian of the twentieth century. Rahner's numerous writings focused on the revelation of God as mystery in the world and on the human being who has an essential openness towards the transcendent. His articles reveal an empathy and a depth of insight into the relationship between theology, faith and the arts which are remarkable and may take the reader by surprise. More recently, Rahner's contribution to the growing field of theology and the arts has been recognised by leading theologians on this subject. He asserts that theology must integrate the verbal and non-verbal arts as they are authentic means of human self-expression, of religious experience, and of God's self-communication; and therefore they are essential sources of theology. Rahner argues that theology, understood as a person's 'reflexive self-expression' about him- or herself 'in the light of divine revelation', cannot be regarded as complete until 'the arts become an intrinsic moment of theology itself'.
