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"This collection of essays explores the issues, methods, and approaches that students in landscape architecture have developed during that period to cope with the expanding subject of gardens and their history. The volume will serve as a bench mark in the field, with its range of approaches and wealth of illustrative material. Each contributor focuses upon a specific piece of his or her research, and uses this as a basis to discuss the wider implications of the study of gardens within such contexts as botanical, horticultural, agrarian, literary, technological, social, culture, political, and art history" -- Provided by publisher
Memory is a subject that recently has attracted many scholars and readers not only in the general historical sciences, but also in the special field of art history. However, in this book, in which more than 130 papers given at the XXIXth International Congress of the History of Art (Amsterdam) 1996 have been compiled, Memory is also juxtaposed to its counterpart, Oblivion, thus generating extra excitement in the exchange of ideas. The papers are presented in eleven sections, each of which is devoted to a different aspect of memory and oblivion, ranging from purely material aspects of preservation, to social phenomena with regard to art collecting, from the memory of the art historian to workshop practices, from art in antiquity, to the newest media, from Buddhist iconography to the Berlin Wall. The book addresses readers in the field of history, history of art and psychology.
Vienna in the Age of Uncertainty traces the vital and varied roles of science through the story of three generations of the eminent Exner family, whose members included Nobel Prize–winning biologist Karl Frisch, the teachers of Freud and of physicist Erwin Schrödinger, artists of the Vienna Secession, and a leader of Vienna’s women’s movement. Training her critical eye on the Exners through the rise and fall of Austrian liberalism and into the rise of the Third Reich, Deborah R. Coen demonstrates the interdependence of the family’s scientific and domestic lives, exploring the ways in which public notions of rationality, objectivity, and autonomy were formed in the private sphere. Vienna in the Age of Uncertainty presents the story of the Exners as a microcosm of the larger achievements and tragedies of Austrian political and scientific life in the late nineteenth and early twentieth centuries.
Italian gardens vary widely according to their historical date and geographic location. This collection approaches Italian gardens of all periods, from the middle ages to modern times, and it ranges widely throughout the peninsula, from Genoa to Sicily, the Veneto to Liguria, and Ferrara to Florence. The authors are a distinguished group of Italian, American, English and German scholars, with different backgrounds in art history, literature, architecture, planning, and cultural history. The explorations of the subject from these different perspectives illuminate not only their own disciplines, but are concerned to make many fresh connections between garden art and the politics of nationalism, between the art of gardens and urban infrastructure, between cultural movements like freemasonry and site planning, between design and planting materials. The book offers therefore a narrative of the garden by selecting ten high points of its history, which are introduced with a consideration by the volume editor of the fresh challenges to contemporary Italian garden history.
Brings together the investigations and assessments of historians from Germany and other countries of the position of the 750 hectares of Prussian gardens within the broader context of European garden art.
In Jacopo Strada and Cultural Patronage at the Imperial Court: Antiquity as Innovation, Dirk Jansen provides a survey of the life and career of the antiquary, architect, and courtier Jacopo Strada (Mantua 1515–Vienna 1588). His manifold activities — also as a publisher and as an agent and artistic and scholarly advisor of powerful patrons such as Hans Jakob Fugger, the Duke of Bavaria and the Emperors Ferdinand I and Maximilian II — are examined in detail, and studied within the context of the cosmopolitan learned and courtly environments in which he moved. These volumes offer a substantial reassessment of Strada’s importance as an agent of change, transmitting the ideas and artistic language of the Italian Renaissance to the North.
This book tells the story of German cities' metamorphoses from walled to defortified places between 1689 and 1866. Using a wealth of original sources, the book discusses one of the most significant moments in the emergence of the modern city: the dramatic and often traumatic demolition of the city's centuries-old fortifications and the creation of the open city.
The second in a series of titles published to address issues relating to the conservation of the Modern Movement, this is a key publication for architects, planners and all those with a specific interest in modernism and modern planning.
Using Leberecht Migge (modernist landscape architect) as a base, Haney creates a comprehensive history of German ecological design. Linking with modern ideas of "green" design, this is a unique look at how one man changed the way planning could unite house and garden.