Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Latin Literature
This history of Latin literature offers a comprehensive survey of the 1000 year period from the origins of Latin as a written language to the early Middle Ages. It offers a wide-ranging panorama of all major Latin authors.
The Hidden Author
The Satyricon of Petronius, a comic novel written in the first century A.D., is famous today primarily for its amazing banquet tale, "Trimalchio's Feast." But this episode is only one part of the larger picture of life during Nero's rule presented in the work. In this accessible discussion of Petronius's masterful use of parody, Gian Biagio Conte offers an interpretation of the Satyricon as a whole. He combines the scholarly precision of close reading with a significant, original theoretical model. At the heart of his interpretation, Conte reveals the technique of the "hidden author" that Petronius employs at the expense of his characters, in particular the teller of the story, Enclopius. By remaining hidden outside the narrative, Petronius invites the reader to smile at the folies de grandeur that occur in a culture of scholars and declaimers. Yet as Conte shows, behind the parody and inexhaustible humor of the Satyricon lies an unexpectedly serious lament. For those familiar with the Satyricon, as well as for new readers, Conte's book will be a reliable, enjoyable guide to the wonders the Satyricon contains.
The Rhetoric of Imitation
Gian Biagio Conte here seeks to establish a theoretical basis for explaining the ways in which Latin poets borrow from one another and echo one another.
Stealing the Club from Hercules
In the first part of this volume on the literary technique of imitation, the author analyses Virgil's working over the text of Homer which paradoxically represents a true act of artistic originality. In the second chapter, the author reconstructs the presuppositions of a method and explores at the same time its limitations.
Critical Notes on Virgil
In this book, conceived as a sort of Prolegomena to his two Teubner editions, Conte gives account of his choices in editing his Virgilian text. Engaging in a passionate debate with his predecessors and critics, he guides the reader in a fascinating journey in the history of transmission and interpretation of Georgics and Aeneid and shows how lively textual criticism can be.
Ope ingenii
This is an original collection of exemplary emendations made by ancient and modern scholars. Single examples are analysed in order to extract a method of emendation. The author reviews some attractive interventions which offer a model of textual criticism: a kind of ideal museum of critical intelligence applied to corruptions or cryptocorruptions which have damaged some Greek and Latin literary texts. All Greek and Latin passages included are literally translated and commented step by step. Advanced students and scholars are offered an orderly sequence of ‘cruces’ healed by great philologists so that a teaching route is granted.
Genres and Readers
None
Latin Literature and its Transmission
A series of innovative studies in the textual and literary criticism of Latin literature and their mutually supportive relationship.
The American Aeneas
Choice Magazine Outstanding Academic Book?? "John Shields's book is a provocative challenge to the venerable Adamic myth so exhaustively deployed in examinations of early American literature and in American studies. Moreover, The American Aeneas builds wonderfully on Shields's considerable work on Phillis Wheatley. "?--American Literature?? "The American Aeneas should be of interest to classicists and American studies scholars alike." ?--The New England Quarterly?? John Shields exposes a significant cultural blindness within American consciousness. Noting the biblical character Adam as an archetype who has long dominated ideas of what it means to be American, Shields argues that an equally i...
Virgilian Parerga
Together with "Critical Notes on Virgil" (De Gruyter 2016), this volume offers an enlightening complement to the critical text of the Georgics and the Aeneid recently published in the Bibliotheca Teubneriana. In "Virgilian Parerga: Textual Criticism and Stylistic Analysis" can be seen the progress owed to the insight of four of the finest scholars of the past (Heinsius, Heyne, Ribbeck and Sabbadini). The first chapters trace the steps of the arduous path that from the middle of the 17th century on led these outstanding erudites to free themselves from the uulgata and compose a new critical text for the works of Virgil. The later chapters tackle important questions of textual criticism and Virgilian style, and propose new answers to inveterate exegetic problems. The volume ends with an interesting theoretical discussion on the methodological principles that combine the rules of philology with those of law. Here the author questions the logical assumptions that dominate not only the philological process but also the judicial one.
