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Understanding International Art Markets and Management
This groundbreaking text brings together experts in the field of visual art markets to answer some fundamental questions: Is art a good investment? Why is the art market dominated by America and Western Europe? Where are the key emerging markets and what are the next good buys in art? Providing readers with an understanding of the challenges facing art market 'makers' (dealers, auctioneers, collectors and artists) and the decision-making process experienced by market 'players' and investors, this exciting text merges the key theories with examples of practice in a highly accessible style. Written by an international array of experts from the US, the UK and China, this book is essential reading for all those studying or interested in art markets and management.
New Perspectives in Italian Cultural Studies
Following the more theoretical first installment of New Perspectives in Italian Cultural Studies devoted to Definitions, Theory, and Accented Practices, the second volume of New Perspectives deals with practicing cultural studies by offering articles that are valuable for both scholars of Italian studies and students interested in a cultural studies approach. Divided in four sections, the articles included offer complex approaches to literature, film, the visual arts, and a particular moment in Italian history with which Italians are still coming to terms, fascism. The essays cover about two hundred years of Italian cultures dealing with the construction of national myths, the role of soccer...
Globalization and Contemporary Art
In a series of newly commissioned essays by both established and emerging scholars, Globalization and Contemporary Art probes the effects of internationalist culture and politics on art across a variety of media. Globalization and Contemporary Art is the first anthology to consider the role and impact of art and artist in an increasingly borderless world. First major anthology of essays concerned with the impact of globalization on contemporary art Extensive bibliography and a full index designed to enable the reader to broaden knowledge of art and its relationship to globalization Unique analysis of the contemporary art market and its operation in a globalized economy
Meggs' History of Graphic Design
The bestselling graphic design reference, updated for the digital age Meggs' History of Graphic Design is the industry's unparalleled, award-winning reference. With over 1,400 high-quality images throughout, this visually stunning text guides you through a saga of artistic innovators, breakthrough technologies, and groundbreaking developments that define the graphic design field. The initial publication of this book was heralded as a publishing landmark, and author Philip B. Meggs is credited with significantly shaping the academic field of graphic design. Meggs presents compelling, comprehensive information enclosed in an exquisite visual format. The text includes classic topics such as the...
Italian Futurism and the Poetry of Materiality
This monograph offers the first-ever, full-length analysis of the most irreverent book of Italian Futurism: L’anguria lirica, printed in 1934 on tin metal sheets, with design and poetic text by Tullio d’Albisola and illustrations by Bruno Munari. This study, which features the unabridged reproduction of the pages of the tin book, accompanied by the first English translation of the poem, aims to disentangle the complex relationship between text and image in this total artwork. It shows how the endless series of material transformations at its core – of woman into food, of love into desecrating religion, of man into machine, of poetry into matter – fostered a radical change in poetry-writing, thus breaking away from a stagnant lyrical past.
Situated Contemporary Art Practices
Knjigo sestavljajo nekatera novejša pregledana ali znova napisana besedila slovenske filozofinje, umetnice in teoretičarke Marine Gržinić. V knjigi so zbrane teoretsko-politične razlage umetnosti, kulture in politike z območja bivše Jugoslavije in bivše Vzhodne Evrope ter kapitalističnega prostora novih medijev in tehnologij z njemu lastno novo ekonomijo, politiko globalizacije, multikulturno ideologijo in novimi oblikami hegemonij. Avtorica v knjigi med drugim razpravlja o umetniških projektih IRWIN-a, Tanje Ostojić, Emila Hrvatina, skupine Laibach, Dragana Živadinova, Ilye Kabakova, Oliverja Resslerja, Walida Ra’ada in drugih.
Seeing Through Closed Eyelids
Presentness and Trace -- An Artist Turned Inside Out -- Radical Reciprocity: Passive Sculptor/Active Material -- Tempus Arborus (Tree Time).
Bernd & Hilla Becher
For more than five decades, Bernd (1931–2007) and Hilla (1934–2015) Becher collaborated on photographs of industrial architecture in Germany, France, Belgium, Holland, Great Britain, and the United States. This sweeping monograph features the Bechers’ quintessential pictures, which present water towers, gas tanks, blast furnaces, and more as sculptural objects. Beyond the Bechers’ iconic Typologies, the book includes Bernd’s early drawings, Hilla’s independent photographs, and excerpts from their notes, sketchbooks, and journals. The book’s authors offer new insights into the development of the artists’ process, their work’s conceptual underpinnings, the photographers’ relationship to deindustrialization, and the artists’ legacy. An essay by award-winning cultural historian Lucy Sante and an interview with Max Becher, the artists’ son, make this volume an unrivaled look into the Bechers’ art alongside their career, life, and subjects.
The Carabinieri Command for the Protection of Cultural Property
First comprehensive study of Italy's art police, an organisation devoted to protecting cultural artefacts.
Vertigo
"The twentieth century was marked by the fall of all specific artistic disciplines. Painting and sculpture began to intertwine with other artistic languages - architecture and photography, cinema and design - through the unbridled use of all techniques and all media. Vertigo: A Century of Multimedia Art, from Futurism to the Web aims to document multimedia overlays created through the use of new technologies - radio and television, the telephone and gramophone, film and the computer - that have marked the artistic practices of the historic and contemporary avant-gardes, from futurism to constructivism, dada to surrealism, pop art to conceptual art. It features a long line-up of images and thoughts, books and manifestos, films and photographs, discs and videos produced by the major protagonist of art - both yesterday and today, from Balla to Marinetti, Schwitters to Duchamp, Warhol to Beuys, Nauman to Kiefer and Paik to Anderson - for an aesthetic view completely free of all spatial, temporal and media-based confines." --Book Jacket.
