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A Short History of the Gibb Memorial Trust and Its Trustees
Provides an unusual history of an important institution promoting Islamic scholarship in Britain, The Gibb Memorial Trust
Faḍāʾil-I Balkh, Or the Merits of Balkh
First annotated English translation from Persian of the 13th-century local history of the famed city and province of Balkh (Afghanistan).
A History of Ottoman Poetry
Elias John Wilkinson Gibb (1857-1901) was a Scottish Orientalist who was born and educated in Glasgow. After studying Arabic and Persian, he developed an interest in Turkish language and literature, especially poetry, and in 1882 he published Ottoman Poems Translated into English Verse in the Original Forms. This was a forerunner to the six-volume classic presented here, A History of Ottoman Poetry, published in London between 1900 and 1909. Gibb died in London of scarlet fever at the age of 44, and only the first volume of his masterpiece appeared before his death. His family entrusted to his friend Edward Granville Browne (1862-1926), a distinguished Orientalist in his own right who had ma...
Takhyīl
Takhyil is a term from Arabic poetics denoting the evocation of images. It has a broad spectrum of connotations throughout classical philosophical poetics and rhetoric, and it is closely linked to the Greek concept of phantasia. This volume is comprised of annotated translations of key texts on this topic from major philosophers and literary theoreticians, including Alfarabi (al-Farabi), Avicenna (Ibn Sina), Averroes (Ibn Rushd), and 'Abd al-Qahir al-Jurjani. In her preface, the classicist Anne Sheppard relates takhyil to Greek poetics, and in his introduction, Wolfhart Heinrichs traces the development of the term in the Arabic tradition. The second part of the book contains eight studies on takhyil and various aspects of image-evocation and how it relates to musical theory, literary criticism and rhetoric. The opening essay is by Katrin Kohl, a specialist in European poetics, who places takhyil in the wider context of poetic universals.
The World of Murtada Al-Zabidi
Murtada al-Zabidi was a Humanist scholar and a Muslim, whose twelfth-century writings are here examined in the context of their geographical and historical setting. The period when Zabidi was writing saw a shift in the balance of power from the Muslim empires to the Western world, reflected in the stories he told of his travels from India on to Cairo, across vast distances and coming across an extraordinary range of people. The five chapters in this work look at various aspects of Zabidi's life and times, the first one focusing on his life and career and forms a background to studies of his work. The second looks at Zabidi's writing and publishing and the third at his notes on his friends, teachers, students and acquaintances. Chapter four assesses his two largest works; his Arabic lexicon and his commentary on Gazzali's Ihya . Finally, chapter five explores his second major literary achievement, his large commentary on Gazzali's Ihya ulum al-din .
The Mathnawi of Jalalu'ddin Rumi Set
MawlanaJalal al-Din Rumi's poem, the Mathnawi, is one of the best known and most influential works of Muslim mysticism. Its author was born in 1207 at Balkh in Central Asia but, as a child accompanied his father and family to settle in Qonya in Anatolia. After he had followed his father as a preacher, Rumi's mystical bent became more pronounced, particularly after the beginnning of his relationship with the dervish Shams al-Dn of Tabriz which led to non-conformist behaviour and an outpouring of lyric poetry. Rumi had his own circle of followers, the origin of the Mevlevi sufi order, whose whirling dance is said to be inspired by their Shaikh's own ecstasies.
A History of Ottoman Poetry VI
This is the most important fruit of E.J.W. Gibb's long devotion to Turkish literature. Only one volume had appeared in print by the time of his death in 1901 but the remainder was almost complete and was seen through the press by E.G. Browne. It was designed to give the English reader a clear account of the subject. The first volume includes discussions of themes, verse forms and rhetoric and also of the earliest West-Turkish poetry up to 1450. The story is then carried through to the revolution caused by the adoption of European models in the late 19th century. Gibb was concerned to avoid a purely biographical approach and analyzed the works of the poets, tracing the development of style, which, before the Modern Movement, was to great extent a matter of Persian influences and reaction to them. Volume VI contains Turkish texts of the pieces quoted earlier in translation.
Islamic Crosspollinations
Islam as a cultural, intellectual, and religious venture appears in the popular imagination as a monolithic entity. Orientalists of the traditional ilk have tended to describe it in essentialist terms, whilst many fundamentalist Muslims themselves promote their construction of a pure and unadulterated Islamic past, to which they strive to return by purging foreign or unauthentic elements from their religion. Next to these attempts, another more traditional view sees the influence between the Western and the Islamic world in linear and teleological terms. Knowledge was transmitted, so to speak, from Alexandria to Baghdad, and hence to Toledo and Paris. The present volume challenges both these concepts regarding the development of Islamic cultures. To do justice to the complexity of structures within which the Muslim Middle Ages unfolded, it approaches the questions of interaction and influence through a novel conceptual framework, that of crosspollination. Instead of telling the story of the transmission of Western works from Greece via Islam into the Latin world, a number of case studies highlight the plurality of encounters between Islam and other adjacent cultures.
