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Includes biografi, bibliografi og udstillinger
Gijs Bakker and Emmy van Leersum are internationally recognized as pioneers in their field of modern jewellery design. They were the first to make minimal jewellery out of unorthodox materials, such as aluminium and Plexiglas. The pair set off a real revolution in jewellery design in the 1960s. In this book The Gijs + Emmy Spectacle. Fashion and Jewelry Design by Gijs Bakker and Emmy van Leersum, 1967-1972, the focus is on the early, collective work of the artist duo (1967-1972). This work does not limit itself to jewellery, but also moves into the realms of fashion, design and art.
The perspectives and techniques used in human-computer interaction design, practice and research are broadening. This book looks at emerging approaches which are likely to contribute to the discipline in near future. The emphasis is on the social, cognitive, emotional, creative and active dimensions of the human actor. The underlying idea is that human character rather than technology should determine the nature of interaction. The concept of "interaction design" covers this broader range of concerns relevant to enabling quality design. Each chapter emphasizes alternative perspectives on interaction and new concepts to help researchers and practitioners relate to alternative design approaches and opportunities. Many of these new elements can be found to be successful and established in other fields, such as information systems development and industrial design. This volume will be of considerable value to those seeking innovative and developing perspectives upon both designing and ensuring effective interaction between humans and technology.
This book displays and dissects the career and design motives of graphic designer Joost Grootens. In a systematic fashion it charts the first 100 books designed by Grootens over the past ten years. In the first chapter, '10 years', Grootens uses timelines, lists and graphs to map the course of his career as a designer, the people he worked with and the places where the work took place. In '100 books', the designer dissects his book designs. He details the grids, formats, paper stocks, colours and typefaces, and charts the books' structures and compositions. '18,788 pages' shows at actual size a selection of spreads from books designed by Grootens, including the internationally acclaimed atlases. In the text 'I swear I use no art at all' Joost Grootens gives a personal account of making books and the ideas behind his designs.
A notable collection of 20th-century studio jewelry in various media and styles is the subject of this dazzling catalogue, which reframes these works within the context of contemporary art.
Exhibitions have long played a crucial role in defining disciplinary histories. This fascinating volume examines the impact of eleven groundbreaking architecture and design exhibitions held between 1956 and 2006, revealing how they have shaped contemporary understanding and practice of these fields. Featuring written and photographic descriptions of the shows and illuminating essays from noted curators, scholars, critics, designers, and theorists, As Seen: Exhibitions that Made Architecture and Design History explores the multifaceted ways in which exhibitions have reflected on contemporary dilemmas and opened up new processes and ways of working. Providing a fresh perspective on some of the most important exhibitions of the 20th century from America, Europe, and Japan, including This Is Tomorrow, Expo '70, and Massive Change, this book offers a new framework for thinking about how exhibitions can function as a transformative force in the field of architecture and design.
Table of Contents Foreword 6 Preface 7 Acknowledgments 9 Objects of Design 10 Plates 23 1 Turning Points 24 2 Machine Art 46 3 A Modern Ideal 70 4 Useful Objects 94 5 Modern Nature 122 6 Mind over Matter 150 7 Good Design 186 8 Good Design for Industry 218 9 The Object Transformed 248 Photograph Credits 283 Index 285 Trustees of The Museum of Modern Art 288.
Sustainability is foremost in the minds of many designer-makers at themoment; there has been a surge of environmentally-sustainabledevelopments in the collections shown recently at Origin, NewDesigners in Islington, Pulse and Collect. Jewellers are veryaware of sustainability issues, as such a large proportion of theirtraditional materials come from non-sustainable sources (preciousstones and metals) and they have traditionally used acids, dyes, andother techniques not renowned for their eco-friendliness. This bookwill encourage makers to recycle and show how 'pre-loved' ortraditionally throw-away materials can provide new inspiration. Includesstunning photos of the work of established and experimentaljewellers from around the world.
Overzicht van de ontwikkelingen in de wereld van het design in de laatste tien jaar.