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On moving into a new apartment abroad in his Bavarian hometown, the narrator realises that some of his possessions and elements of his new neighbourhood open a window into a flurry of memories, serving as allegorical threads to his childhood, self-consciousness and discovery of the world. What begins as a personal narrative quickly cedes to a social archaeology, inviting the reader/listener on a homegoing journey in the backdrop of Cameroon’s tottering democratic trajectory. Modulated with poetry and music, The Radio tunes in to diaspora, home, nation, education, existence, religion as well as Mbum popular culture, showcasing creative re-appropriation and re-mixing of global trends and icons in specific communities.
The book presents an intertextual and comparative analysis of memories of violence in Peruvian and Congolese Literature. Examining a variety of novels that offer insightful representations of violence in their respective historical settings, the author argues that similar historical experiences between Latin America and Africa engender ethical/aesthetic responses and enhance trans-continental critical dialogues in comparative literary studies. In the same way that the drama of the Congo has become the symbolic open wound of (post)colonial dispensation in Africa, Spanish conquest in Latin America also produced spaces where the legacy of colonialism is strongly visible and memorable, providing...
In this remarkably meticulous work, Gilbert Shang Ndi succeeds in bringing together the aesthetic and political dimensions of the texts and in broadening interpretative perspectives in very convincing analyses. Each author is handled in his peculiarity and the theoretical ambitions of the project contribute to fruitful and innovative readings of major African literature texts by Ngugi wa Thiong'o, Ahmadou Kourouma, Ayi Kwei Armah and Sony Labou Tansi. --Prof. Xavier Garnier, U. de Paris-Sorbonne III **This title is based on a Dissertation. (Series: Contributions in African Research / Beitr�¤ge zur Afrikaforschung, Vol. 77) [Subject: African Studies, Literary Criticism]
In the wake of General Franco’s demise, a Cameroonian student, Leinteng Basha, arrives in Madrid. He soon befriends two other African students, Bassey Okoro from Nigeria, and a drifter from Equatorial Guinea, Jesus Ndongo. Together, they navigate as best as they can through the challenges of loneliness, homesickness and especially the indifference, if not outright hostility of their host country. Leinteng keeps a diary in which he details in simple, straightforward but captivating prose, the travails and joys of his days in the Spanish capital. Through the diarist’s sharp eye for detail, the reader is irresistibly drawn into the labyrinth of life as lived by an African student in post-Franco Spain.
Examines the representations of migration in African literature, film, and other visual media, with an eye to the stylistic features of these works as well as their contributions to debates on migration
The emerging voices in the anthology are ... strong assertive voices with fervent statements about life; they are distinctive voices that seek to amend the fragmentary experiences of the past and present and to provide another vision for the future; finally, they are prophetic voices that carry with them symptoms of more meaningful existence as well as innovative techniques that stimulate the fading pulse of poetry.
The papers in this volume focus on fiction and theatre in their traditional forms as well as in their encounters with novel and innovative forms and avenues of dissemination. As a cultural practice that emerged from a process of protest and contestation of hegemony, it is understandable that one main concern in African literature and literary criticism is the resistance against the emergence of marginalizing centers in formerly or currently marginalized societies with regard to discourses, aesthetics and media of creation. These new centers that sometimes undermine the strategic/tactical exploitation of the relative advantage procured by each medium run the risk of leading to new forms of st...
In these ten engrossing stories, Simon Nganga explores the meaning and consequences of choices that are usually considered national and society-wide from the eyes of individuals residing in local markets and villages. With unmatched precision and easy-to-read language, each story takes us through the characters' effort to make choices as they desperately search for meaning in their ever-changing lives, with deeply unsettling results.
“… an unambiguous cautionary statement on the multitudinous and multifaceted hot-button politico-socio-economic issues confronting and degrading the African continent.” Ekpe Inyang Environmentalist, Playwright & Poet “The poems in this eclectic collection resonate with the same verve and imagistic intensity and stylistic experimentation characteristic of Nsah Mala’s poetic oeuvre.” Gilbert Ndi Shang, PhD University of Bayreuth “Nsah’s verses evoke a society adrift: prey to the ravages of the selfish and irresponsible actions of modern man or, better still, postmodern man. Escape does not seem to be possible, not even in foreign climes. The destruction heralded is predictably taking eschatological proportions! Is salvation envisageable?” Yvonne Iden NGWA, PhD, Lecturer, ENS Yaoundé
Since the popularization of Internet technologies in the mid-1990s, human identity and collective culture has been dramatically shaped by our continued use of digital communication platforms and engagement with the digital world. Despite a plethora of scholarship on digital technology, questions remain regarding how these technologies impact personal identity and perceptions of global culture. Defining Identity and the Changing Scope of Culture in the Digital Age explores a multitude of topics pertaining to self-hood, self-expression, human interaction, and perceptions of civilization and culture in an age where technology has become integrated into every facet of our everyday lives. Highlighting issues of race, ethnicity, and gender in digital culture, interpersonal and computer-mediated communication, pop culture, social media, and the digitization of knowledge, this pivotal reference publication is designed for use by scholars, psychologists, sociologists, and graduate-level students interested in the fluid and rapidly evolving norms of identity and culture through digital media.