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Anatomy museums around the world showcase preserved corpses in service of education and medical advancement, but they are little-known and have been largely hidden from the public eye. Elizabeth Hallam here investigates the anatomy museum and how it reveals the fascination and fears that surround the dead body in Western societies. Hallam explores the history of these museums and how they operate in the current cultural environment. Their regulated access increasingly clashes with evolving public mores toward the exposed body, as demonstrated by the international popularity of the Body Worlds exhibition. The book examines such related topics as artistic works that employ the images of dead bodies and the larger ongoing debate over the disposal of corpses. Issues such as aesthetics and science, organ and body donations, and the dead body in Western religion and ritual are also discussed here in fascinating depth. The Anatomy Museum unearths a strange and compelling cultural history that investigates the ideas of preservation, human rituals of death, and the spaces that our bodies occupy in this life and beyond.
First multi-year cumulation covers six years: 1965-70.
"Every description of the world we inhabit embodies certain processes of describing. In Fieldnotes and Sketchbooks researchers from the fields of anthropology, architecture and fine art reflect on the descriptive practices characteristic of their respective disciplines, and the potential of alternative modalities of description to challenge the boundaries that divide them. Contributors focus on the interconnections between writing, imaging, drawing and reading, exploring the many ways in which different media and notational systems can be used in contexts of learning to facilitate the movement of knowledge across the three disciplines. "--Book jacket.
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The wild success of the traveling Body Worlds exhibition is testimony to the powerful allure that human bodies can have when opened up for display in gallery spaces. But while anatomy museums have shown their visitors much about bodies, they themselves are something of an obscure phenomenon, with their incredible technological developments and complex uses of visual images and the flesh itself remaining largely under researched. This book investigates anatomy museums in Western settings, revealing how they have operated in the often passionate pursuit of knowledge that inspires both fascination and fear. Elizabeth Hallam explores these museums, past and present, showing how they display the ...
Includes provisional roll of service of the university in the European war, 1914-June 30, 1915 (2 p. l., 84 p.) appended to v. 2.
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