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Playing at Home
Playing at Home explores the different ways in which contemporary artists have engaged with ideas of the house and home - from 'broken homes' to haunted houses, doll's houses, mobile homes and greenhouses.
Gender and Art
Encompassing European art, architecture and design from the sixteenth century to the present day, it explores both the work of women artists and the ways that visual representation by male and female artists may be gendered."--BOOK JACKET.
The Legacy of Anne Frank
“Unusual and illuminating . . . will appeal to all who are moved by and curious about Frank’s story and legacy, and everyone interested in humanitarian activism” (Booklist). Although many books and literary analyses have been written about Anne Frank’s life and diary, none have explored the surprising influence she has had on young people in countries all over the world, helping to shape their moral framework and giving them critical life skills. This is due in part to the merits of a traveling exhibition created by the Anne Frank House in Amsterdam in 1985, which has so far been seen by over nine million people. The Anne Frank exhibition, along with its innovative educational and cu...
Primitivism, Cubism, Abstraction
On art in the early 20th century
Women Artists and the Parisian Avant-garde
A re-presentation of women artists whose works were widely exhibited and regularly featured in the French art press and in modern art surveys from 1900 to the 1920s, but who largely disappeared from public view after World War II. The analysis of their work unravels the cultural, aesthetic, and economic reasons for their absence, particularly the issue of "feminine" and "masculine" categories in art. The artists featured include: Emilie Charmy, Jacqueline Marval, Maria Blanchard, Alice Halicka, Marevna, Alice Bailly, Marie Vassiliev, Suzanne Roger, and Mela Muter. The text includes fine color reproductions, bibliographic appendices, and an excerpt from Marevna's writings. Distributed by St. Martin's Press. Annotation copyright by Book News, Inc., Portland, OR
Themes in Contemporary Art
02 In this fourth volume of the Art of the Twentieth Century series, the contributors address a fascinating variety of themes relating to art from the 1960s to the end of the century—the period of “postmodernism.”The first of the book’s seven chapters deals with the emergence in the 1960s of what has been called an “expanded field” for art activity. Other chapters discuss the consequences of Conceptual art for notions of the aesthetic; the Post-Conceptual practice of painting; practices of Post-Conceptual photography; video, performance, and installation art; and women’s practice and the question of gendered and nongendered objects. The final chapter explores the globalization ...
Academies, Museums, and Canons of Art
"This is the first of six books in the series Art and its Histories, which form the main texts of an Open University second-level course of the same name"--Preface.
Femininity and Masculinity in Eighteenth-century Art and Culture
Focusing on the visual arts and written texts, this book explores the nature of femininity and masculinity in 18th-century Britain and France. The activities and collective conditions of women as producers of art and culture are investigated, together with analysis of representation and the ways in which it might be gendered. This illustrated book should make an important contribution to debates on representation, constructions of sexuality and women as producers.
A Sociology of Ireland
Reflects recent social developments with new chapters on Civil Society, Popular Culture and Everyday Life Has a strong central argument related to the nature of Irish society Looks at Ireland's positioning in a globalising world Considers a wide range of aspects of the social structure and culture Written in an accessible and interesting style Includes a comprehensive bibliography of Irish and overseas references Suitable for Sociology courses in Irish universities and Institutes of Technology at both undergraduate and postgraduate level including general arts programmes, applied social studies, social studies/social work.
The First Actresses
Featuring a range of large-scale, public and more intimate portraits of actresses, The First Actresses provides a vivid spectacle of femininity, fashion and theatricality from Nell Gwyn to Sarah Siddons. Ranging from oil paint to porcelain, these portraits illustrate the enduring popularity of portraits of women performers. Crucially the book seeks to reassess the traditional association between actress and'prostitute', and the moral ambiguity of women playing male roles. Portraiture became an important vehicle for the expression of concerns about female sexuality, social status, decorum, gender and celebrity. The authors also chart the commercialisation of the spectacle of the actress, as w...
