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The Woman Advocate is by women advocates for woman advocates. It contains first-hand accounts by successful women lawyers of their experiences at all stages of career development. In the four parts of the book- Where We Are; How We Got There; What Our Environment Is Like; and Where We're Going-the contributors provide reflections, advice, guidance, and, of course, war stories in lively, entertaining and insightful prose.
The use of interactive technology in the arts has changed the audience from viewer to participant and in doing so is transforming the nature of experience. From visual and sound art to performance and gaming, the boundaries of what is possible for creation, curating, production and distribution are continually extending. As a consequence, we need to reconsider the way in which these practices are evaluated. Interactive Experience in the Digital Age explores diverse ways of creating and evaluating interactive digital art through the eyes of the practitioners who are embedding evaluation in their creative process as a way of revealing and enhancing their practice. It draws on research methods from other disciplines such as interaction design, human-computer interaction and practice-based research more generally and adapts them to develop new strategies and techniques for how we reflect upon and assess value in the creation and experience of interactive art. With contributions from artists, scientists, curators, entrepreneurs and designers engaged in the creative arts, this book is an invaluable resource for both researchers and practitioners, working in this emerging field.
The story of Ted Lewis carries historical and cultural resonances for our own troubled times Ted Lewis is one of the most important writers you've never heard of. Born in Manchester in 1940, he grew up in the tough environs of post-war Humberside, attending Hull College of Arts and Crafts before heading for London. His life described a cycle of obscurity to glamour and back to obscurity, followed by death at only 42. He sampled the bright temptations of sixties London while working in advertising, TV and films and he encountered excitement and danger in Soho drinking dens, rubbing shoulders with the 'East End boys' in gangland haunts. He wrote for Z Cars and had some nine books published. Alas, unable to repeat the commercial success of Get Carter, Lewis's life fell apart, his marriage ended and he returned to Humberside and an all too early demise. Getting Carter is a meticulously researched and riveting account of the career of a doomed genius. Long-time admirer Nick Triplow has fashioned a thorough, sympathetic and unsparing narrative. Required reading for noirists, this book will enthral and move anyone who finds irresistible the old cocktail of rags to riches to rags.
In April 2003, the Stevens Report provided the first official acknowledgement of collusion between loyalist armed groups and British security forces in the murders of nationalists in Northern Ireland. This book argues that such collusion and associated conspiracies have been a central feature of the British response to the conflict in Ireland for more than thirty years. This response amounts to a Holy War, or jihad, in the name of Protestantism and the British monarchy.
In 1933, Margaret Sullavan made her film debut and was an overnight sensation. For the next three decades, she enchanted audiences and critics in any medium she chose--film, theater, television--and was regarded as one of the foremost dramatic actresses. Off screen, she epitomized the Southern Belle--beauty, hospitality and flirtatiousness. Deep down, she suffered from crippling insecurity, especially as a mother--a feeling exacerbated by progressive hearing loss. By age 50, she could no longer cope and took an overdose of sleeping pills. This biography covers her film career with insightful criticism from the period and details her personal life, including her marriage to Henry Fonda, her special friendship with James Stewart and her bitter rivalry with Katharine Hepburn.
A conversation book for intermediate-level English as a second language students. Focuses on language and culture of everyday Canadian life. Suitable for those with a good grasp of formal English but who have difficulty with informal language.
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