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A Viking statue, a coffee pot, a ghost story, and a controversial cake: What can the things that immigrants treasured tell us about their history? Between 1870 and 1914 almost one-quarter of Iceland’s population migrated to North America, forming enclaves in both the United States and Canada. This book examines the multi-sensory side of the immigrant past through rare photographs, interviews, artefacts, and early recipes. By revealing the hidden histories behind everyday traditions, The Viking Immigrants maps the transformation of Icelandic North American culture over a century and a half.
Playing with Memories is the first collection of scholarly essays on the work of internationally acclaimed Canadian filmmaker Guy Maddin. It offers extensive perspectives on his career to date, from the early experimentation of The Dead Father (1986) to the intensely intimate revelations of My Winnipeg (2007). Featuring new and updated essays from American, Canadian, and Australian scholars, collaborators, and critics, as well as an in-depth interview with Maddin, this collection explores the aesthetics and politics behind Maddin’s work, firmly situating his films within ongoing cultural debates about postmodernism, genre, and national identity.
The Dept. of the Interior was in existence from 1873 to 1936.
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Guy Maddin started making films in his back yard and on his kitchen table. Now his unique work, which relies heavily on such archaic means as black and white small-format cinematography and silent-film storytelling, premieres at major film festivals around the world and is avidly discussed in the critical press. Into the Past provides a complete and systematic critical commentary on each of Maddin's feature films and shorts, from his 1986 debut film The Dead Father through to his highly successful 2008 full-length 'docu-fantasia' My Winnipeg. William Beard's extensive analysis of Maddin's narrative and aesthetic strategies, themes, influences, and underlying issues also examines the origins and production history of each film. Each of Maddin's projects and collaborations showcase his gradual evolution as a filmmaker and his singular development of narrative forms. Beard's close readings of these films illuminate, among other things, the profound ways in which Maddin's art is founded in the past - both in the cultural past, and in his personal memory.
The story is a memoir. It’s a slice of history—the story of Gimli, Manitoba—come to life. There’s the mystique of rail travel; there’s rafting on the pond; there’s swimming at the harbour. There’s dancing to the Men of Note. There are bonfires and bull rushes and bicycling the town; the tastes of Central Bakery; the fun of pinball at Sam’s Café; and the vibes of the Falcon. This book is about adventures that define summer life in Gimli for a city lad. In addition, there’s the story of family and their struggles in the 1930s against a backdrop of happier times at the cottage. Joe Mackintosh uses personal stories and family history to paint a picture of what Gimli means, not only to his own family, but to so many other people. Readers will find their imagination kindled anew as they follow the town map and visit Gimli as it was in the 30s, 40s and 50s.
The Cultural History of the Avant-Garde in the Nordic Countries Since 1975 brings the series of cultural histories of the avant-garde in the Nordic countries up to the present. It discusses revisions and continuations of historical practices since 1975.
For many years following Confederation, Canada remained an absurd country: with its vast West still free of agricultural settlers, John A. Macdonald's vision of a great nation bound together by a transcontinental railway and a nationalist economic policy remained an unfulfilled dream. On the other side of the Atlantic, the present-day Ukraine was vastly overpopulated with "redundant" peasants. Their increasingly precarious existence triggered emigration: more than 170 000 of them sailed for Canada. Life in the promised land was hard. Many Canadians seemed to think that the only good immigrants were British; some went so far as to suggest that the Ukrainian newcomers were less than human. But...