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In this sweeping literary, cultural, and political history, French sociologist Ginette Castro vividly and dramatically tells the story of the contemporary women's movement in the United States. From the liberal feminists, like Betty Friedan, Mary Daly, and the members of NOW, to the radical feminists, including Kate Millett, Ti-Grace Atkinson, New York Radical Women, and Cell 16, Dr. Castro offers an enlivened yet balanced account of the many different ideological currents within the movement. Central to her contribution is the detailed reexamination of the role of the radical feminists, and her efforts to neutralize the sensationalism which has become attached to this segment of the movement. Captured here is the diversity of expression and yet the underlying unity, and potential for ideological synthesis in the American feminist movement. American Feminism makes an invaluable contribution to understanding the course of feminism in the United States and its radical roots.
In this text, the author explores what she argues is an indissoluble link between war and sexuality. She explores the connections among sexuality, war, nationalism, pacifism, violence, love and power as they relate to the body, the partner, the family, political ideologies and religion.
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This book describes and outlines the theoretical foundations of system simulation in teaching, and as a practical contribution to teaching-and-learning models. It presents various methodologies used in teaching, the goal being to solve real-life problems by creating simulation models and probability distributions that allow correlations to be drawn between a real model and a simulated model. Moreover, the book demonstrates the role of simulation in decision-making processes connected to teaching and learning.
This text permits the original work of radical feminists to speak for itself. Comprised of pivotal documents written by US radical feminists, the book contains both unpublished and previously published material.
If you grew up in the era of mood rings and lava lamps, you probably remember Free to Be . . . You and Me--the groundbreaking children's record, book, and television special that debuted in 1972. Conceived by actress and producer Marlo Thomas and promoted by Ms. magazine, it captured the spirit of the growing women's movement and inspired girls and boys to challenge stereotypes, value cooperation, and respect diversity. In this lively collection marking the fortieth anniversary of Free to Be . . . You and Me, thirty-two contributors explore the creation and legacy of this popular children's classic. Featuring a prologue by Marlo Thomas, When We Were Free to Be offers an unprecedented insider...
Despite feminism’s uneven movements, it has been predominantly understood through metaphors of generations or waves. Feminism's Queer Temporalities builds on critiques of the limitations of this linear model to explore alternative ways of imagining feminism’s timing. It finds in feminism’s literary and cultural archive narratives of temporality that might now be diagnosed as queer, where queer designates modes of being historical that exceed the linear and the generational. Few theorists have looked to popular feminist figures, literature, and culture to theorize feminism’s timing. Through methodologically creative readings, McBean explores non-generational, anti-linear, and asynchronous time in the figure of Antigone, Marge Piercy’s Woman on the Edge of Time, the film Ladies and Gentlemen: The Fabulous Stains, Valerie Solanas and SCUM Manifesto, and Alison Bechdel’s Fun Home. The first to substantially bring together the ways in which time has come to matter in both feminist and queer disciplines, this book will appeal to students and scholars of feminist, queer and gender studies, cultural studies and literary studies.
Boston established a footrace but New York City created a marathon culture that annually draws tens of thousands of runners to each of the major American events. The American Marathon is the first in-depth study of the marathon as a cultural performance that has as much power to unite communities across lines of race, ethnicity, class, and gender as it does to empower individuals. This book encompasses more than a century, from the fledgling days of the footrace in the 1890s to the popular contemporary marathons that have become corporate-sponsored institutions. Run in New York City in 1896 and continued in Boston for the next ten years, the marathon quickly became the event of the working-c...
This book explores the surprisingly disruptive role of religion for progressive and conservative ideologies in the tumultuous decade of the 1960s. Conservative movements were far more progressive than the standard religious narrative of the decade alleges and the notoriously progressive ethos of the era was far more conservative than our collective memory has recognized. Lints explores how the themes of protest and retrieval intersect each other in ironic ways in the significant concrete controversies of the 1960s - the Civil Rights Movement, Second Feminist Movement, The Jesus Movements, and the Anti-War Movements - and in the conceptual conflicts of ideas during the era - The Death of God Movement, the end of ideology controversy, and the death of foundationalism. Lints argues that religion and religious ideologies serve both a prophetic function as well as a domesticating one, and that neither "conservative" nor "progressive" movements have cornered the market in either direction. In the process Lints helps us better understand the complex role of religion in cultural formation.
In this lively book, Stacy Wolf illuminates the women of American musical theater--performers, creators, and characters--from the start of the cold war to the present day, creating a new feminist history of the genre. Moving from decade to decade, Wolf highlights the assumptions that circulated about gender and sexuality at the time and then looks at the leading musicals, stressing the aspects of the plays that relate to women. The musicals discussed here are among the most beloved in the canon--"West Side Story," "Guys & Dolls," "Cabaret," and many others--with special emphasis on "Wicked."