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The Companion to French Cinema
A handbook of French cinema
The Popular French Cinema
Extending from early cinema to the present, bringing together published and newly written works, this book traces the history of French cinema, from Renoir to New Wave and beyond. Providing a taster for the first time reader and a substantial read for the filmgoer and the student, this is a fitting tribute to a great cinema by a top scholar and writer. Vincendeau provides a full tour of the multifaceted French cinema and its enormous influence on popular culture by looking at the people, issues and icons it embraces, from stars like Josephine Baker to Juliette Binoche; woman directors and masculinity in cinema, French gangsters, fathers and daughters, and much more.
Stars and Stardom in French Cinema
French cinema is second only to Hollywood in the number of its movie stars who have emerged to achieve international fame. France is, in fact, arguably the only country other than the United States to have an international "star system." Yet these glamorous and charismatic stars differ from their U.S. counterparts in that they maintain more freedom to control their own images and often straddle both mainstream and auteur cinema.Ginette Vincendeau, a leading authority on French cinema, analyzes the phenomenon of French film stardom and provides brilliant in-depth studies of the major popular stars of the French cinema: Max Linder, Jean Gabin, Brigitte Bardot, Jeanne Moreau, Louis de FunFs, Je...
Film/literature/heritage
No Marketing Blurb
Paris in the Cinema
'Paris in the Cinema' offers a new approach to the representation of Paris on screen. Bringing together a wide range of renowned French and Anglophone specialists in film, television, history, architecture and literature, the volume introduces, challenges and extends ideas about the city as the locus of screen modernity. Through a range of concrete and historically-specific case studies, ranging from particular districts such as Saint-Germain-des-Pres and les banlieues (the suburbs) in French cinema, to iconic figures such as the detective Maigret and the lovers, and from locations such as the hotel, the building site and the Eiffel Tower to filmmakers such as Agnes Varda and Jean-Pierre Jeunet, this unique text demonstrates how the cinematic city of Paris now constitutes a major archive of French cultural history and memory.
Pepe le Moko
Vincendeau's analysis places 'Pepe le Moko' in its aesthetic, generic and cultural contexts, ranging from Duvivier's brilliant camera-work, to Gabin's suits and the film's orientalist setting. In the BFI FILM CLASSICS series.
French Film
The second edition of this innovative textbook brings together leading scholars to provide detailed analyses of twenty-two key films within the canon of French cinema, from the 1920s to the 1990s. Films discussed include: * masterpieces such as Renoir's La Bete Humaine and Carne's Les Enfants du Paradis * popular classics such as Les Vacances de Monsieur Hulot and Ma Nuit chez Maud * landmarks of the New Wave such as Les 400 Coups and A bout de souffle * important films of the 1990s such as Nikita and La Haine The films are considered in relation to such issues as the history of French cinema, the social and cultural contexts of their production and reception, the relationship with Hollywood cinema, gender politics, authorship and genre. Each article is accompanied with a guide to further reading and a filmography of the director, and the new edition also includes a fully revised introduction and a bibliography on French cinema.
The French New Wave
The French New Wave is an essential anthology of writings by and about the critics and filmmakers of this revolutionary cinematic movement, which has had a radical impact on film practice and the way we think and write about film. The volume includes foundational writings such as Francois Truffaut's A Certain Tendency in French Cinema and Andre Bazin's La Politique des auteurs, as well writings by Jean-Luc Godard, Claude Chabrol and Alexandre Astruc. This new edition now represents writings by and about women critics and film-makers, including important articles by the critics Evelyne Sullerot, Michele Firk and Françoise Aude, addressing issues of gender and representation, as well as consi...
Brigitte Bardot
When Brigitte Bardot appeared in Roger Vadim's And God Created Woman in 1957, her beauty set the world alight. But Bardot was more than just a sex symbol: she was a daring actress who worked with some of cinema's most-revered directors, including Jean-Luc Godard and Louis Malle. Film critic Ginette Vincendeau delves into Bardot's career and life, including her four marriages, her decision to "get out elegantly" and retire at a young age, and most notably, her unforgettable performances in Le M pris, Les Femmes, and Les P troleuses. In addition to stunning photos of Bardot in her iconic roles, this visual biography includes 15 facsimiles of posters and other documents.
