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An epistolary history of the international avant-garde of happenings, Fluxus, and performance and conceptual art emerges from decades of correspondence between Carolee Schneemann and other artists and intellectuals.
This archival publication was launched in conjunction with "Every Island is a Mountain", a special exhibition commemorating the 30th anniversary of the Korean Pavilion at the Venice Biennale.
Documents artist Allan Keprow's life and work through an extensive chronology that visually portrays his evolution from painter to environmental artist to inventor of the Happening and the Activity.
This work addresses historical and contemporary manifestations of poems, drawings, collages, and performance works that employ the ritual of the 'cadaver exquis'.
Offers the most detailed account yet of the early works of these four minimalist composers.
Networking means to create nets of relations, where the publisher and the reader, the artist and the audience, act on the same level. The book is a first tentative reconstruction of the history of artistic networking in Italy, through an analysis of media and art projects which during the past twenty years have given way to a creative, shared and aware use of technologies, from video to computers, contributing to the creation of Italian hacker communities. The Italian network proposes a form of critical information, disseminated through independent and collective projects where the idea of freedom of expression is a central theme. In Italy, thanks to the alternative use of Internet, during t...
Hannah Higgins explores the influential art movement Fluxus. Daring, disparate and contentious, Fluxus artists worked with minimal and prosaic materials now familiar in post-World War II art. Higgins describes the experience of Fluxus for viewers as affirming transactions between the self and the world.
This tale is about three men, whose lives have paralleled and intertined over the decades from childhood to manhood to past middle age. They had been fighters. All of them had had a penchant for violence and had chased the glory and high voltage of the boxing ring. They had challenged themselves to their very limits and perhaps beyond. It is the chronicle of three boys growing uprough and lustful, accumulating the physical and psychic scars of their rather reckless actions both in and out of the ring. The powerful, main women in the book are the romantic essence of the narrative. Without their erotic entanglements, the entire tale would have missed an important dimension of fun and sensuality. Each of the main charaters ultimately searchs out the sea in an attempt to escape the disappointments of ordinary life, by challenging their souls over the existential battlefields of their own choosing.
Eighteen essays written by Buchloh over the last twenty years, each looking at a single artist within the framework of specific theoretical and historical questions. Some critics view the postwar avant-garde as the empty recycling of forms and strategies from the first two decades of the twentieth century. Others view it, more positively, as a new articulation of the specific conditions of cultural production in the postwar period. Benjamin Buchloh, one of the most insightful art critics and theoreticians of recent decades, argues for a dialectical approach to these positions.This collection contains eighteen essays written by Buchloh over the last twenty years. Each looks at a single artist...
Contributions by: Valerio Deho, Jose Antonio Agundez Garcia.