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The Culture of Opera Buffa in Mozart's Vienna
Mozart's comic operas are among the masterworks of Western civilization, and yet the musical environment in which Mozart and his librettist Lorenzo da Ponte wrote these now-popular operas has received little critical attention. In this richly detailed book, Mary Hunter offers a sweeping, synthetic view of opera buffa in the lively theatrical world of late-eighteenth-century Vienna. Opera buffa (Italian-language comic opera) persistently entertained audiences at a time when Joseph was striving for a German national theater. Hunter attributes opera buffa's success to its ability to provide "sheer" pleasure and hence explores how the genre functioned as entertainment. She argues that opera buff...
Vinnitta: The Birth of the Detroit Mafia
From the Author of Off Color: The Violent History of Detroit's Notorious Purple Gang It was the winter of 1919, and it was the height of a gang war the Motor City hadn't seen before. Detroit's Mafia family had split into two factions, both vying to not only avenge ancient wrongs but also gain control of the city's lucrative illegal alcohol trade at the dawn of Prohibition. In Vìnnitta, author Daniel Waugh offers an in-depth account of the formation of the Detroit Mafia and how they grew from a small band of Sicilian immigrants into one of the most powerful criminal sects. He shares how the mafia infiltrated the Detroit business community and established themselves in illegal rackets ranging from extortion, auto theft, bootlegging, burglary, and construction racketeering. The story is told through the eyes of not only the gangsters themselves, but also those of an undertaker forced to prepare many of his friends for burial after their murders.
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To the Court of the Tsarinas and Back Again
In the 18th century Italian theatre and its artists became vital to Russian rulers, who employed Italian musico-dramatic works to advance their political agendas and emphasize Russia’s cultural uniqueness and its cosmopolitan character. Innumerable playwrights and composers, actors and singers were active at the Russian court. Usually considered at best peripheral to Europe, the faraway Russian Empire represents a particularly powerful example of the mobility of theatre agents and the circulation of artistic practices. This book sets a new regional accent on imperial Russia, thus mitigating the traditional historiographical emphasis on Western Europe, and adopts a transnational approach to...
