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Giovan Pietro Bellori: The Lives of the Modern Painters, Sculptors and Architects
This is the first complete translation of the biographies of fifteen artists, including Annibale Carracci, Carvaggio, Rubens, Van Dyck, and Poussin, written by the seventeenth-century antiquarian Giovan Pietro Bellori. Originally conceived as a continuation of Vasari's famous Lives, it is a fundamental source for seventeenth-century Italian art and artistic theory, providing detailed descriptions of extant and lost works of art, while casting light on the cultural politics of contemporary Rome and the relations between Rome and France. The importance of Bellori's Lives lies in the scrupulous documentation of artists, many of whom he knew personally; the author's detailed descriptions of their works; and his exposition of the classicist theory of art in the introductory lecture, the Idea. This volume contains the twelve Lives published in the original edition of 1672 and three Lives (Guido Reni, Andrea Sacchi, and Carlo Maratti) that survive in manuscript form and that were published for the first time in 1942.
Giovan Pietro Bellori: The Lives of the Modern Painters, Sculptors and Architects
This is the first complete translation of the biographies of fifteen artists, including Annibale Carracci, Carvaggio, Rubens, Van Dyck, and Poussin, written by the seventeenth-century antiquarian Giovan Pietro Bellori. Originally conceived as a continuation of Vasari's famous Lives, it is a fundamental source for seventeenth-century Italian art and artistic theory, providing detailed descriptions of extant and lost works of art, while casting light on the cultural politics of contemporary Rome and the relations between Rome and France. The importance of Bellori's Lives lies in the scrupulous documentation of artists, many of whom he knew personally; the author's detailed descriptions of their works; and his exposition of the classicist theory of art in the introductory lecture, the Idea. This volume contains the twelve Lives published in the original edition of 1672 and three Lives (Guido Reni, Andrea Sacchi, and Carlo Maratti) that survive in manuscript form and that were published for the first time in 1942.
Lives of Caravaggio
A new title in the successful Lives of the Artists series, which offers illuminating, and often intimate, accounts of iconic artists as viewed by their contemporaries. The most notorious Italian painter of his day, Michelangelo Merisi da Caravaggio (1571–1610) forever altered the course of Western painting with his artistic ingenuity and audacity. This volume presents the most important early biographies of his life: an account by his doctor, Giulio Mancini; another by one of his artistic rivals, Giovanni Baglione; and a later profile by Giovanni Pietro Bellori that demonstrates how Caravaggio’s impact was felt in seventeenth-century Italy. Together, these accounts have provided almost everything that is known of this enigmatic figure.
L'idea
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Art History in the Age of Bellori
Giovan Pietro Bellori was one of the most important intellectuals of seventeenth-century Italy. Best known today for his art criticism and biographies of artists he knew personally, such as Nicholas Poussin, in his own day he was renowned for his expertise in coins, gems, and ancient painting. This collection of essays presents new findings about Bellori's multifarious activities as well as fresh interpretations of his ideas. A frank, unbiased reevaluation of its subject, Art History in the Age of Bellori contributes to a more nuanced understanding of Bellori's place in seventeenth-century letters and politics, art criticism, and antiquarian studies.
The Lives of Caravaggio
"In the course of a short and violent life, Michelangelo Merisl da Caravaggio (1571-1610) revolutionized painting, producing a style of shockingly immediate realism that swept through Europe. The impact of his art and personality continue to resonate to this day. Almost everything we know about Caravaggio's life comes from these three early biographies, which reflect the sometimes horrified fascination that Caravaggio exerted on his contemporaries. Giulio Mancini was Caravaggio's doctor; Giovanni Baglione a bitter rival and art historian; Giovanni Pietro Baglione the most judicious art historian of the following generation. All three provide a vivid picture of a man whose life reads in part like a thriller, as well as a fascinating window onto a world and habits of seeing that were mercilessly challenged by his art. This edition is the first independent publication of these Lives of Caravaggio. It is Introduced by the leading expert on the painter, Dr. Helen Langdon, who elucidates the historical and artistic context of these biographies and the men who wrote them."--Publisher description
The Lives of Annibale & Agostino Carracci
The decisive role of the Carracci in seventeenth-century art was as apparent to their contemporaries as it is now, in our own time. Annibale Carracci ranks directly after Caravaggio as the most important Italian painter of the Baroque era. He established the tradition of Roman baroque classicism so firmly that it flourished in an unbroken line--Carracci to Albani to Sacchi to Maratta--for more than a century. Generation after generation of artists came to Rome to study his frescoes in the Farnese Gallery, and his influence in the development of French neo-classicism is still being explored. The classical concept of the "composed landscape," largely his invention, was to prove of central impo...
Ekphrastic Image-making in Early Modern Europe, 1500–1700
This volume examines how and why many early modern pictures operate in an ekphrastic mode.
An Ardent Patron
This book examines the collecting practice and patronage of Camillo Massimo (16201677), papal nuncio to Spain, in the context of the society that produced him, and demonstrates how his importance lies not simply in his own activities as a patron and collector of artists such as Velzquez and Claude Lorrainbut in his role as an active force promoting particular artists and enterprises in Rome and in his impact on the following century.
Italian and Spanish Art, 1600-1750
The Baroque period was crucial for the development of art theory and the advancement of the artistic academy. This collection of primary sources brings this important period to life with significant documents and texts. It conveniently assembles major texts, which are otherwise available only in scattered publications. The lives of leading artists--Caravaggio, El Greco, among others---are discussed by their contemporaries, while Bellori, Galileo, Pascoli, and others write on art theory and practice. The documents provide fascinating glimpses of the period's artistic self-image.
