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The Contest for Knowledge
At a time when women were generally excluded from scholarly discourse in the intellectual centers of Europe, four extraordinary female letterate proved their parity as they lectured in prominent scientific and literary academies and published in respected journals. During the Italian Enlightenment, Maria Gaetana Agnesi, Giuseppa Eleonora Barbapiccola, Diamante Medaglia Faini, and Aretafila Savini de' Rossi were afforded unprecedented deference in academic debates and epitomized the increasing ability of women to influence public discourse. The Contest for Knowledge reveals how these four women used the methods and themes of their male counterparts to add their voices to the vigorous and prolific debate over the education of women during the eighteenth century. In the texts gathered here, the women discuss the issues they themselves thought most urgent for the equality of women in Italian society specifically and in European culture more broadly. Their thoughts on this important subject reveal how crucial the eighteenth century was in the long history of debates about women in the academy.
Catalogue of Additions to the Manuscripts in the British Museum in the Year MDCCCLIV.-MDCCCLX.
Reprint of the original, first published in 1875.
The Lady Anatomist
Anna Morandi Manzolini (1714-74), a woman artist and scientist, surmounted meager origins and limited formal education to become one of the most acclaimed anatomical sculptors of the Enlightenment. The Lady Anatomist tells the story of her arresting life and times, in light of the intertwined histories of science, gender, and art that complicated her rise to fame in the eighteenth century. Examining the details of Morandi’s remarkable life, Rebecca Messbarger traces her intellectual trajectory from provincial artist to internationally renowned anatomical wax modeler for the University of Bologna’s famous medical school. Placing Morandi’s work within its cultural and historical context, as well as in line with the Italian tradition of anatomical studies and design, Messbarger uncovers the messages contained within Morandi’s wax inscriptions, part complex theories of the body and part poetry. Widely appealing to those with an interest in the tangled histories of art and the body, and including lavish, full-color reproductions of Morandi’s work, The Lady Anatomist is a sophisticated biography of a true visionary.
The Century of Women
These include an academic debate, a scientific tract, an oration, an Enlightenment journal, and a fashion magazine. Analysis focuses on the specific ways in which the exigencies of the 'new science' and the burgeoning Enlightenment project founded on rational civil law, secular moral philosophy, and utilitarian social ethics forced a transformation in the formal controversy about women."--BOOK JACKET.
A Companion to Dante
None
This Earthly Globe
DURING THE AGE OF DISCOVERY, in the autumn of 1550, an anonymously authored volume containing a wealth of geographical information new to Europeans was published in Venice under the title Navigationi et Viaggi ( Journeys and Navigations). This was closely followed by two further volumes that, when taken together, constituted the largest release of geographical data in history, and could well be considered the birth of modern geography. The editor of these volumes was a little-known public servant in the Venetian government, Giovambattista Ramusio. He gathered a vast array of both popular and closely guarded narratives, from the journals of Marco Polo to detailed reports from the Muslim scholar and diplomat Leo Africanus. In an enthralling narrative, Andrea di Robilant brings to life the man who used all his political skill, along with the help of conniving diplomats and spies, to democratise knowledge and show how the world was much larger than anyone previously imagined.
