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Inspired by Deborah Howard’s leading role in fostering a historically grounded and interdisciplinary approach to the art and architecture of Venice, the essays here examine the connections and rapports between art and identity through the discussion of patronage, space (domestic and ecclesiastical), and dissemination of architectural knowledge as well as models within Venice, its territories and beyond.
The field of Venetian studies has experienced a significant expansion in recent years, and the Companion to Venetian History, 1400-1797 provides a single volume overview of the most recent developments. It is organized thematically and covers a range of topics including political culture, economy, religion, gender, art, literature, music, and the environment. Each chapter provides a broad but comprehensive historical and historiographical overview of the current state and future directions of research. The Companion to Venetian History, 1400-1797 represents a new point of reference for the next generation of students of early modern Venetian studies, as well as more broadly for scholars work...
A collection which highlights "the range and richness of scholarship on medieval warfare, military institutions, and cultures of conflict that characterize the field". History 95 [2010] The comprehensive breadth and scope of the Journal are to the fore in this issue, which ranges widely both geographically and chronologically. The subjects of analysis are equally diverse, with three contributions dealing with theCrusades, four with matters related to the Hundred Years War, two with high-medieval Italy, one with the Alans in the Byzantine-Catalan conflict of the early fourteenth century, and one with the wars of the Duke of Cephalonia inWestern Greece and Albania at the turn of the fifteenth century. Topics include military careers, tactics and strategy, the organization of urban defenses, close analysis of chronicle sources, and cultural approaches to the acceptance of gunpowder artillery and the prevalence of military "games" in Italian cities. Contributors: T.S. Asbridge, A. Compton Reeves, Kelly DeVries, Michael Ehrlich, Scott Jessee, Donald Kagay, Savvas Kyriakidis, Randall Moffett, Aldo A. Settia, Charles D. Stanton, Georgios Theotokis, L.J. Andrew Villalon, Anatoly Isaenko.
13. The Political Economy of Art and Other Critical Matters -- 14. University with a Difference: The Oxford Lectures -- 15. From Tuscany to the Somme -- 16. Back to England Again -- Conclusion: Final Public Letters, Last Look at a Life -- Selected Bibliography -- Index of Names
This book explores how the Jewish ghetto engaged the sensory imagination of Venice in complex and contradictory ways to shape urban space and reshape Christian-Jewish relations.
Cities are shaped as much by a repertoire of buildings, works and objects, as by cultural institutions, ideas and interactions between forms and practices entangled in identity formations. This is particularly true when seen through a city as forceful and splendid as Venice. The essays in this volume investigate these connections between art and identity, through discussions of patronage, space and the dissemination of architectural models and knowledge in Venice, its territories and beyond. They celebrate Professor Deborah Howard?s leading role in fostering a historically grounded and interdisciplinary approach to the art and architecture of Venice. Based on an examination and re-interpreta...