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From a leading scholar of the Middle East and North Africa comes a new way of thinking about the Arab Spring and the meaning of revolution. From the standpoint of revolutionary politics, the Arab Spring can seem like a wasted effort. In Tunisia, where the wave of protest began, as well as in Egypt and the Gulf, regime change never fully took hold. Yet if the Arab Spring failed to disrupt the structures of governments, the movement was transformative in farms, families, and factories, souks and schools. Seamlessly blending field research, on-the-ground interviews, and social theory, Asef Bayat shows how the practice of everyday life in Egypt and Tunisia was fundamentally altered by revolution...
First Published in 2008. Routledge is an imprint of Taylor & Francis, an informa company.
This is volume 2 of a two-volume set that collects 300 of the most entertaining and important folk and fairy tales of Giuseppe Pitré, a nineteenth century Sicilian folklorist whose significance ranks alongside the Brothers Grimm. In stark contrast to the more literary ambitions of the Grimms' tales, Pitré’s possess a charming, earthy quality that reflect the customs, beliefs, and superstitions of the common people more clearly than any other European folklore collection of the 19th century. Edited, translated, and with a critical introduction by world-renowned folk and fairy tale experts Jack Zipes and Joseph Russo, this is the first collection of Pitré’s tales available in English. Carmelo Letterer's illustrations throughout the volume are as lively and vivid as the stories themselves, illuminating the remarkable imagination captured in the tales.
The coinage of south Italy, Sicily and Sardinia between the tenth century and the reign of Ferdinand the Catholic.
With this English edition of Surviving the Ghetto, Serena Di Nepi traces the troubled and compelling history of the birth of the ghetto in sixteenth-century Rome. From the arrival of the Sephardim to the Italian wars, and the incredible story of an accusation of ritual homicide that was never made, the research sketches a picture of Jewish society, its institutions and its ruling class during the first fifty years of segregation. How did Jews react to the ghetto? Did their institutional organization change, and how? What was the impact of the restrictive laws regarding their professions and their working environment? What was the role of the rabbis in such a problematic moment? What became of Rome’s Jewish bankers? This book addresses these questions.
Diego Velázquez’s portrait of Juan de Pareja (ca. 1608–1670) has long been a landmark of European art, but this provocative study focuses on its subject: an enslaved man who went on to build his own successful career as an artist. This catalogue—the first scholarly monograph on Pareja— discusses the painter’s ties to the Madrid School of the 1660s and revises our understanding of artistic production during Spain’s Golden Age, with a focus on enslaved artists and artisans. The authors illuminate the highly skilled labor within Seville’s multiracial society; the role of Black saints and confraternities in the promotion of Catholicism among enslaved populations; and early twentieth-century scholar Arturo Schomburg’s project to recover Pareja’s legacy. The book also includes the first illustrated and annotated list of known works attributed to Pareja.