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The Facetious Nights of Straparola
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Facetious Nights of Straparola
Giovanni Francesco Straparola (1480 - 1557) was an Italian writer and fairy tale collector. He has been termed the progenitor of the literary form of the fairy tale. Straparola's main work is The Facetious Nights of Straparola (Le piacevoli notti, published 1550-1555), a collection of 75 stories. Modelled on Decamerone, it has participants of a 13-night party in the island of Murano, near Venice, tell each other stories that vary from bawdy to fantastic. It contains the first known written versions of many fairy tales.
The Nights of Straparola; Volume 1
Prepare to be transported to a world of wonder and enchantment in this collection of stories from the Italian Renaissance. Giovanni Francesco Straparola's tales range from the silly to the profound, from the moralistic to the scandalous. This collection includes such classics as 'Petrosinella' (the tale of Rapunzel) and 'Cinderella'. A must-read for anyone interested in the history of fairy tales or Renaissance literature. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
