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Italian Opera in Global and Transnational Perspective
This volume of essays discusses the European and global expansion of Italian opera and the significance of this process for debates on opera at home in Italy. Covering different parts of Europe, the Americas, Southeast and East Asia, it investigates the impact of transnational musical exchanges on notions of national identity associated with the production and reception of Italian opera across the world. As a consequence of these exchanges between composers, impresarios, musicians and audiences, ideas of operatic Italianness (italianit...) constantly changed and had to be reconfigured, reflecting the radically transformative experience of time and space that throughout the nineteenth century turned opera into a global aesthetic commodity. The book opens with a substantial introduction discussing key concepts in cross-disciplinary perspective and concludes with an epilogue relating its findings to different historiographical trends in transnational opera studies.
Conscription in the Napoleonic Era
This edited volume explores conscription in the Napoleonic era, tracing the roots of European conscription and exploring the many methods that states used to obtain the manpower they needed to prosecute their wars. The levée-en-masse of the French Revolution has often been cited as a ‘Revolution in Military Affairs’, but was it truly a ‘revolutionary’ break with past European practices of raising armies, or an intensification of the scope and scale of practices already inherent in the European military system? This international collection of scholars demonstrate that European conscription has far deeper roots than has been previously acknowledged, and that its intensification during the Napoleonic era was more an ‘evolutionary’ than ‘revolutionary’ change. This book will be of much interest to students of Military History, Strategic Studies, Strategic History and European History.
Bellini
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Notes
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Falstaff, Verdi
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Welles, Kurosawa, Kozintsev, Zeffirelli
Welles, Kurosawa, Kozintsev, Zeffirelli focuses on the influence of four major film directors on the afterlife of Shakespeare.
Opera
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