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Mauro Uliassi Meets Giovanni Gaggia
The most recent title in a beautifully photographed series that explores the creative synergy between a well-known Italian chef (Mauro Uliassi) and a contemporary Italian artist (Giovanni Gaggia). Uliassi is a 3-star Michelin chef who has transformed a beachside café (called Uliassi) in Senigallia, a port town on the Adriatic coast, into a world-class restaurant. It is considered one of the top 20 restaurants in Italy. The recipes he presents here showcase the work of artist Giovanni Gaggia, a contemporary conceptual artist who is based in Pergola, near Urbino. The text, which illuminates the interplay of the recipes and the art, has been contributed by notable food and art critics. Text in English and Italian.
A Companion to Anticlassicisms in the Cinquecento
‘Anticlassicisms,’ as a plural, react to the many possible forms of ‘classicisms.’ In the sixteenth century, classicist tendencies range from humanist traditions focusing on Horace and the teachings of rhetoric, via Pietro Bembo’s canonization of a ‘second antiquity’ in the works of the fourteenth-century classics, Petrarch and Boccaccio, to the Aristotelianism of the second half of the century. Correspondingly, the various tendencies to destabilize or to subvert or contradict these manifold and historically dynamic ‘classicisms’ need to be distinguished as so many ‘anticlassicisms’. This volume, after discussing the history and possible implications of the label ‘ant...
Sacred Views of Saint Francis
Overlooking Lago di Orta in the foothills of the Northern Italian Alps, the Renaissance-era Sacro Monte di Orta (a UNESCO World Heritage site) is spectacle and hagiography, theme park and treatise. Sacro Monte di Orta is a sacred mountain complex that extolls the life of St. Francis of Assisi through fresco, statuary, and built environment. Descending from the vision of the 16th-century Archbishop Carlo Borromeo, the design and execution of the chapels express the Catholic Church's desire to define, or, perhaps redefine itself for a transforming Christian diaspora. And in the struggle to provide a spiritual and geographical front against the spread of Protestantism into the Italian peninsula...
Angels and Demons in Art
This sumptuously illustrated volume analyzes artists' representations of angels and demons and heaven and hell from the Judeo-Christian tradition and describes how these artistic portrayals evolved over time. As with other books in the Guide to Imagery series, the goal of this volume is to help contemporary art enthusiasts decode the symbolic meanings in the great masterworks of Western Art. The first chapter traces the development of images of the Creation and the Afterworld from descriptions of them in the Scriptures through their evolution in later literary and philosophical works. The following two chapters examine artists' depictions of the two paths that humans may take, the path of ev...
The New York Supplement
"Cases argued and determined in the Court of Appeals, Supreme and lower courts of record of New York State, with key number annotations." (varies)
New York Supplement
Includes decisions of the Supreme Court and various intermediate and lower courts of record; May/Aug. 1888-Sept../Dec. 1895, Superior Court of New York City; Mar./Apr. 1926-Dec. 1937/Jan. 1938, Court of Appeals.
Old Testament Figures in Art
Throughout the Middle Ages, sacred Christian art had two objectives: to express veneration for God and to provide illustrative lessons on the Christian faith to a largely illiterate population. Continuing in the spirit of the other books in this series, Old Testament Figures in Art compiles entries on key figures and events in the Old Testament, beginning with the Pentateuch, then drawing from the historical books, the books of wisdom and poetry, and, finally, the prophetic books. The vivid illustrations depict Old Testament scenes that occur most frequently as iconographic prototypes in Western art. Among the masterpieces featured are The Entry of the Animals into Noah's Ark by Jan Brueghel...
