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- The first biography of Giovanni Morelli, one of the founding fathers of modern art history and of connoisseurship - An intriguing biography of a man who trained as a physician, was soon a patriot and ended up as an influential senator of unified Italy and a great art historian Giovanni Morelli (1816-1889) was the most influential Italian writer on art in the nineteenth century, whose books have been constantly discussed since his death. When asked about his own life Morelli always replied that he considered himself a politician, who had lived in Italy and who had worked tirelessly for his country. He saw his involvement with the art world as a marginal and later activity. His participation...
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This book provides a lively and stimulating introduction to methodological debates within art history. Offering a lucid account of approaches from Hegel to post-colonialism, the book provides a sense of art history's own history as a discipline from its emergence in the late-eighteenth century to contemporary debates.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Giovanni Morelli's classic study of Italian painting remains a must-read for art historians and enthusiasts alike. Morelli's method of connoisseurship, which relies on close examination of individual paintings to determine authorship, has had a lasting impact on the study of art history. This book includes detailed analyses of works by major Italian painters, from Giotto to Titian. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
First published in 1971, The Society of Renaissance Florence is an invaluable collection of 132 original Florentine documents dating from the fourteenth and fifteenth centuries.