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From Plato to Lancelot
Considered the most important figure in medieval French literature, Chrétien de Troyes is credited with inventing the modern novel. The roots of his influential Arthurian romance narratives remain the subject of investigation and great debate among medieval scholars. In From Plato to Lancelot, K. Sara-Jane Murray makes a highly original and profoundly significant contribution to the current scholarship by locating Chrétien’s work at the intersection of two important traditions: one derived from Greco-Roman antiquity, the other from the Celtic world of the Atlantic seaboard. Drawing on a broad range of sources, from Plato’s Timaeus and Ovid’s Metamorphoses to the anonymous Lais transl...
Mediation and Love
This study offers a comprehensive typology of the Figure of the Medieval go-between across several Near-Eastern and European genres, and pays special attention to the role of intertextuality and history in the conception of the figure.
Letters of Peter Abelard, Beyond the Personal
Comprehensive and learned translation of these texts affords insight into Abelard's thinking over a much longer sweep of time and offers snapshots of the great twelfth-century philosopher and theologian in a variety of contexts.
The Legend of St. Brendan
"The Legend of St Brendan" is a study of two accounts of a voyage undertaken by Brendan, a sixth-century Irish saint. The immense popularity of the Latin version encouraged many vernacular translations, including a twelfth-century Anglo-Norman reworking of the narrative which excises much of the devotional material seen in the ninth-century "Navigatio Sancti Brendani abbatis" and changes the emphasis, leaving a recognisably secular narrative. The vernacular version focuses on marvellous imagery and the trials and tribulations of a long sea-voyage. Together the two versions demonstrate a movement away from hagiography towards adventure. Studies of the two versions rarely discuss the elements of the fantastic. Following a summary of authorship, audiences and sources, this comparative study adopts a structural approach to the two versions of the Brendan narrative. It considers what the fantastic imagery achieves and addresses issues raised with respect to theological parallels.
Becoming Neapolitan
2011 Winner of the Phyllis Goodhart Gordan Book Prize of the Renaissance Society of America Naples in the sixteenth and seventeenth centuries managed to maintain a distinct social character while under Spanish rule. John A. Marino's study explores how the population of the city of Naples constructed their identity in the face of Spanish domination. As Western Europe’s largest city, early modern Naples was a world unto itself. Its politics were decentralized and its neighborhoods diverse. Clergy, nobles, and commoners struggled to assert political and cultural power. Looking at these three groups, Marino unravels their complex interplay to show how such civic rituals as parades and festival...
Inventing the Opera House
This book examines the invention of the architecture of the modern opera house in Italy between the late fifteenth and late seventeenth centuries.
The Two Latin Cultures and the Foundation of Renaissance Humanism in Medieval Italy
Traces the intellectual life of Italy, where humanism began a century before it influenced the rest of Europe.
Approaches to Drawing in Architectural and Urban Design
Architects draw for a variety of purposes; they draw to assimilate places and precedents, to generate ideas, to develop a concept into a consistent project in a team, to communicate ideas and solutions to patrons and clients, and to guide building contractors during the construction stages, as well as to produce further elaborations in order to publish their project in a treatise, a journal or their own portfolio. Most importantly, architects draw to think and to manage complexity in a visual way. By taking into account innovative and interdisciplinary uses of architectural drawing in the design process, both historical and current, the collection of chapters and interviews in this book frames a new critical perspective and a uniquely contextual appreciation of drawing as a way to encourage spatial thinking and practice in architecture and urbanism. The authors take the discussion to a new level of philosophical sophistication, while also considering drawing in relation to a series of specific engagements with urban development, planning, and architecture.
Renaissance Porticoes and Painted Pergolas
This book explores the intersection between architecture, pictorial representation, garden culture, and natural history and proposes the interpretation that the illusionistic pergola was a metaphor for the Renaissance mind as it negotiated a new cognitive topography between an internal rationalism, governed by classical verities, and the perpetually fluctuating outer world of global expansion.
A Renaissance Architecture of Power
The growth of princely states in early Renaissance Italy brought a thorough renewal to the old seats of power. One of the most conspicuous outcomes of this process was the building or rebuilding of new court palaces, erected as prestigious residences in accord with the new ‘classical’ principles of Renaissance architecture. The novelties, however, went far beyond architectural forms: they involved the reorganisation of courtly interiors and their functions, new uses for the buildings, and the relationship between the palaces and their surroundings. The whole urban setting was affected by these processes, and therefore the social, residential and political customs of its inhabitants. This is the focus of A Renaissance Architecture of Power, which aims to analyse from a comparative perspective the evolution of Italian court palaces in the Renaissance in their entirety. Contributors are Silvia Beltramo, Flavia Cantatore, Bianca de Divitiis, Emanuela Ferretti, Marco Folin, Giulio Girondi, Andrea Longhi, Marco Rosario Nobile, Aurora Scotti, Elena Svalduz, and Stefano Zaggia.
