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Spirits in the Bush
Spirits in the Bush surveys the art of Gippsland, from the colonial to the contemporary. This expansive, original and illuminating compendium leads readers on a journey through artistic and provincial history, interweaving the lives of residents and visitors. Collectively, it presents a vivid account of the influence of place on the cultural imagination. A fascinating cast of characters includes some of Australia’s best-known and most-loved artists, including Eugène von Guérard, Jessie Traill, Arthur Streeton, Clarice Beckett, Sidney Nolan, Arthur Boyd, Fred Williams, and Jeffrey Smart. Readers will discover also a host of new names destined for recognition. Spirits in the Bush reveals how artists have grappled with a region that is in equal measures beautiful and brutal, and which has provided the stage for many of the key battles in Australian art history. Bound by geographical camaraderie, and with the spectre of Gippsland’s past as an unwavering presence, the stories of their art unfold in a unique dialogue. This publication was made possible through the generous support of the Gordon Darling Foundation.
Art of Annemieke Mein
The textile works of Annemieke Mein display a rare standard of artistry. She has explored beyond the bounds of craft and developed new techniques in her use of textiles and fabric paints. The illustrations in this book show how textiles can be used as an exciting sculptural medium. The artist's three-dimensional creations are works of extraordinary skill, born out of a passionate commitment to the environment that she observes with a loving eye. Annemieke uses an amazing variety of materials - silk, wool, fur, cotton, synthetics - carefully chosen for their colour, texture, credibility and aesthetic appeal. These fabrics are then meticulously painted and stitched to faithfully reproduce her chosen subjects and to enhance the tactile quality unique to textiles. Numerous techniques are used in limitless combinations: hand and machine embroidery, dyeing, applique, trapunto, quilting, pleating, felting, beading, weaving and plying. The work of Annemieke Mein will leave the reader breathless with wonder. It encourages an awareness of our natural heritage and of the need to preserve it. Previously published in paperback 9780855329778.
Beyond Short Street
Stories from the life journey of one of Australia's leading artists in ceramics, beginning in a small isolated town in the Snowy Mountains. At university an unexpected inspiration leads to a PhD, followed by travel and adventure; from driving trucks, and flying gliders, to the Smithsonian in Washington, onwards to the deserts and high mountains of Pakistan and immersion in politics, archaeology, and assassination in Israel. The emotional ups and downs of teaching in art schools, insights into the practice of the art of ceramics, and the subtleties of isolated rural living complete the storytelling.
Boorun's Canoe
A beautiful and important story about the passing of historical and cultural knowledge from a grandfather to his grandsons. Gunai artist, Steaphan Paton, along with his brothers and cousins, are shown how to make a traditional bark canoe by their 'Pop', Albert Mullett, senior Gunai/Kurnai Elder.
A Flutter of Butterflies
A Flutter of Butterflies is a stunning showcase of butterfly and moth illustrations held by the National Library of Australia. The works span the years from the 1770s, through the early colonial period to the turn of the twenty-first century.As well as containing a plethora of gorgeous colour images, the publication features a fascinating introductory essay about the history of Australian Lepidoptera illustration. In addition to the essay, the book offers biographical essays about the artists represented, among whom are some of Australias most-loved artists, including Louisa Anne Meredith, Marian Ellis Rowan and Charles McCubbin.
The Crossley Gallery, 1966-1980
When, in 1966, Tate Adams opened Crossley Gallery in a lane off Bourke Street, Melbourne, he ioneered the importation of contemporary Japanese prints by masters such as Munakata and Sasajima. These were shown alongside those emerging local artist printmakers including at that time Fred Williams, Roger Kemp, George Baldessin, Bea Maddock and many others. This productive collision of cultures soon established the Crossley Gallery and its associated activities - such as the Crossley Print Workshop - as the hub of activity in this art form. The book contains memoirs of those associated with the Gallery and features prints shown or commissioned by Tate Adams - a leading printmaker himself. It provides first-hand insights into a previously under-examined aspect of the development of contemporary art in Australia. Also comes as a special edition with original wood engraving by Tate Adams, special cloth binding and a slip-case.
Studio
'Studio' presents an extraordinary anthology of visual and verbal insights into the way paintings are made, and the complex blend of motivation and inspiration that sustains the painter in his or her solitary search for meaning.
