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The first collection and translation into English of the earliest biographical accounts of Galileo’s life This unique critical edition presents key early biographical accounts of the life and work of Galileo Galilei (1564–1642), written by his close contemporaries. Collected and translated into English for the first time and supplemented by an introduction and incisive annotations by Stefano Gattei, these documents paint an incomparable firsthand picture of Galileo and offer rare insights into the construction of his public image and the complex intertwining of science, religion, and politics in seventeenth-century Italy. Here in its entirety is Vincenzo Viviani’s Historical Account, a...
The Hero of Italy examines a salient episode in Italy's Thirty Years' War with Spain and France, whereby the young duke Odoardo Farnese of Parma embraced the French alliance, only to experience defeat and occupation after two tumultuous years (1635-1637). Gregory Hanlon stresses the narrative of events unfolding in northern Italy, examining the participation of the little state in these epic European events. The first chapter describes the constitution of Cardinal Richelieu's anti-Habsburg alliance and Odoardo's eagerness to be part of it. A chapter on the Parman professional army, based on an extraordinary collection of company roster-books, sheds light on the identity of over 13,000 indivi...
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From the late Middle Ages to THE MARRIAGE OF FIGARO to Mel Gibson's BRAVEHEART, the ultimate symbol of feudal barbarism has been the right of a feudal lord to sleep with the bride of a vassal on her wedding night. But here, in a fascinating case study of the folklore of sexuality, Alain Boureau elegantly demonstrates such tradition is a myth.
Analyzes texts and art objects from the 15th to the late 16th centuries to show that Renaissance theories of emulating classical heroes generated a deep skepticism about representation, as these theories forced men to construct a public image that seemed fixed but could adapt to changing circumstances.
The "idea of literature" is the very kernel of every literary study; however, this is the first survey of the historical development of this idea. Its purpose is to refute the belief, particularly prevalent in French criticism, that the "idea of literature" only appeared in the eighteenth century, and that it was perceived strictly as an art.