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Rome in the Eighth Century
A history of Rome in the critical eighth century CE focusing on the evidence of material culture and archaeology.
Rome in the Ninth Century
A comprehensive survey of the material culture of ninth-century Rome, drawing together disparate strands of evidence.
An Introduction to the Making of Western Art
This book is the first introduction to Western art that not only considers how choice of materials can impact form, but also how objects in different media can alter in appearance over time, and the role of conservators in the preservation of our cultural heritage. The first four chapters cover wall and easel paintings, sculpture, drawings, and prints, from the late Middle Ages to the present day. They examine, with numerous examples, how these works have been produced, how they might have been transformed, and how efforts regarding their preservation can sometimes be misleading or result in controversy. The final two chapters look at how photography, new techniques, and modern materials prompted innovative ways of creating art in the twentieth century, and how the rapid expansion of technology in the twenty-first century has led to a revolution in how artworks are constructed and seen, generating specific challenges for collectors, curators, and conservators alike. This book is primarily directed at undergraduates interested in art history, museum studies, and conservation, but will also be of interest to a more general non-specialist audience.
The Remnant
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The Civilian Legacy of the Roman Army
The Roman army represented an important social and organizational reference model for the Romano-Barbarian societies, which progressively replaced the Western Empire in the transition from Late Antiquity to Early Middle Ages. The great flexibility of the decision-making and organizational solutions used by the Roman army allowed the ‘new lords’ to readapt them and thus maintain power in early medieval Europe for a long time. From a perspective ranging from political, social and economic history to law, anthropology, and linguistic, this book demonstrates how interesting and fruitful the investigation of this specific cultural imprint can be in order to gain a better understanding of the origins of the civilization that arouse after the fall of the Roman world. Contributors are Francesco Borri, Fabio Botta, Francesco Castagnino, Stefan Esders, Carla Falluomin, Stefano Gasparri, Wolfgang Haubrichs, Soazick Kerneis, Luca Loschiavo, Valerio Marotta, Esperanza Osaba, Walter Pohl, Jean-Pierre Poly, Pierfrancesco Porena, Iolanda Ruggiero, Andrea Trisciuoglio, Andrea A. Verardi, and Ian Wood.
St. Paul's Outside the Walls
The book traces nearly two thousand years of architectural transformations to St Paul's Basilica, one of Rome's principal churches.
Court and Cosmos
Rising from humble origins as Turkish tribesmen, the powerful and culturally prolific Seljuqs—an empire whose reach extended from Central Asia to the eastern Mediterranean—dominated the Islamic world from the eleventh to the fourteenth century. Court and Cosmos: The Great Age of the Seljuqs examines the roots and impact of this formidable dynasty, featuring some 250 objects as evidence of the artistic and cultural flowering that occurred under Seljuq rule. Beginning with an historical overview of the empire, from its early advances into Iran and northern Iraq to the spread of its dominion into Anatolia and northern Syria, Court and Cosmos illuminates the splendor of Seljuq court life. Th...
Emerging Iconographies of Medieval Rome
Emerging Iconographies of Medieval Rome examines the development of Christian iconographies that had not yet established themselves as canonical images, but which were being tried out in various ways in early Christian Rome. This book focuses on four different iconographical forms that appeared in Rome during the eighth and ninth centuries: the Anastasis, the Transfiguration, the Maria Regina, and the Sickness of Hezekiah—all of which were labeled “Byzantine” by major mid-twentieth century scholars. The trend has been to readily accede to the pronouncements of those prominent authors, subjugating these rich images to a grand narrative that privileges the East and turns Rome into an art...
The Baptismal Font Canopy of St. Peter Mancroft, Norwich
The early 16th-century baptismal font canopy of the church of St. Peter Mancroft, Norwich, is one of only three such structures to survive anywhere in the British Isles. This study, inspired by the recent rediscovery of four attributable panels at the Philadelphia Museum of Art, offers a trans-temporal account of the canopy’s initial creation and subsequent use, mutilation, and modification. Written by a team of scholars in art/architectural history, art conservation, heritage documentation, literary studies, and museum curation, it explores the installation’s multiple artistic, ritual, and cultural contexts, from late medieval and early modern Europe to modern-day North America. Contributors are Benjamin Baaske, Sarah Blick, Kate Duffy, Brent R. Fortenberry, Amy Gillette, Jack Hinton, Lesley Milner, Peggy Olley, Ellen K. Rentz, Behrooz Salimnejad, Zachary Stewart, Achim Timmermann, Charles Tracy, Kim Woods, and Lucy Wrapson.
