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John Osborne
John Osborne (1929-1994), unapologetic rebel and original Angry Young Man, changed the face of modern British theatre forever with Look Back in Anger. An actor turned playwright, Osborne was married five times, his private life generating a tumult and drama to match that of his work. This startlightly candid, authorised but intimate and informal biography is the first to have access to Osborne's own notebooks and private letters, which record for posterity his often anguished nature. It includes personal interviews with scores of his friends and enemies, among them a bombshell of a confession from Osborne's alleged male lover, and the first public comments from his estranged daughter Nolan, who was thrown out of the family home at just sixteen. This is an essential, unorthodox, moving and extraordinarily frank portrait of the man, the playwright and his era.
John Osborne Plays 3
This third collection of John Osborne's dramatic work includes three classic plays for the stage which confirm his reputation as one of the greatest British playwrights of the twentieth century. A Patriot for Me 'It is a landmark play in its open treatment of homosexuality and in the breadth of its historical canvas... few post-war plays have dealt so brilliantly with the way the individual, in rejecting the ethos of his society, also uncannily reflects it.' Guardian Luther 'The language is urgent and sinewy, packed with images that derive from bone, blood and marrow; the prose, especially in Luther's sermons, throbs with a rhetorical zeal that has not been heard in English historical drama since the seventeenth century.' Kenneth Tynan Inadmissible Evidence 'This is a work of stunning and intemperate power, a great bellow of rage and pain... there is a self-lacerating honesty about his writing that few other playwrights have come close to matching.' Daily Telegraph
John Osborne Plays 2
This second collection of John Osborne's dramatic work includes The Entertainer, The Hotel in Amsterdam, West of Suez and Time Present. 'A lifelong satirist of prigs and puritans, whether of the Right or Left, he took no hostages, expecting from other people the same unyielding, unflinching commitment to their view of the truth which he took for granted in his own. Of all the British playwrights of the twentieth century he is the one who risked the most. And risking most, frequently offered the most rewards.' David Hare, Spectator 'Osborne was an instinctive writer, but he had genius in his early years for capturing the national mood and conveying undiluted feeling... one wonders whether any...
John Osborne
For British playwright, John Osborne, there are no brave causes; only people who muddle through life, who hurt, and are often hurt in return. This study deals with Osborne's complete oeuvre and critically examines its form and technique; the function of the gaze; its construction of gender; and the relationship between Osborne's life and work. Gilleman has also traced the evolution of Osborne's reception by turning to critical reviews at the beginning of each chapter.
Look Back in Anger
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Déjàvu
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John Osborne
John Osborne, the original Angry Young Man, shocked and transformed British theater in the 1950s with his play Look Back in Anger. This startling biography–the first to draw on the secret notebooks in which he recorded his anguish and depression–reveals the notorious rebel in all his heartrending complexity. Through a working-class childhood and five marriages, Osborne led a tumultuous life. An impossible father, he threw his teenage daughter out of the house and never spoke to her again. His last written words were "I have sinned." Theater critic John Heilpern’s detailed portrait, including interviews with Osborne's daughter, scores of friends and enemies, and his alleged male lover, shows us a contradictory genius–an ogre with charm, a radical who hated change, and above all, a defiant individualist.
John Osborne Plays 1
In 1956 John Osborne's Look Back in Anger changed the course of English theatre. This volume includes some of the early plays which launched his career along its startling trajectory, as well as his much later play, Dejavu, which brings us Look Back in Anger's Jimmy Porter thirty-five years on, older and wiser, but no less indignantly eloquent.
Dearest Squirrel...'
A completely fresh insight into the mind of one of the UK's greatest playwrights, the letters between John Osborne and his first wife, actress Pamela Lane, are also a love letter to a now defunct system of repertory theatre, and life in post-war Britain. As these letters reveal, soon after their divorce, Osborne and Lane began a mutually supportive, loyal, frequently stormy and sometimes sexually intimate alliance lasting thirty years until Osborne's death. By the mid-1980s, they had become closer and more trusting than they had been since their earliest years together. 'You are for me what you always were,' Pamela told him, 'I am in love with you still.' It is, he declared, 'my fortune to have loved someone for a lifetime.' Acerbic, witty, candid and heartbreaking, they reveal a unique relationship, troubled, tender and enduring.
