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Waging War and Making Peace
The history of Europe is marked not only by violence and division but also by efforts to reduce the destructiveness of war. In this volume, the authors explore the meaning of ‘Europe’ within war and peace discourses from the eighteenth to the twentieth centuries. They examine imagined wars, the post-1815 security order, the portrayal of Russian and Muslim 'Others,' double standards in international law, pacifist rhetoric, and the role of ‘Europe’ in war propaganda and resistance movements. The authors demonstrate how both war and peace practices have shaped the concept of ‘Europe’ over time.
The Author in Criticism
The Author in Criticism:Italo Calvino’s Authorial Image in Italy, the United States, and the United Kingdom explores the cultural and historic patterns and differences in the critical readings of Italian author Italo Calvino’s works in the United States of America, the United Kingdom, and Italy. It considers the external factors that contribute to create recognizable patterns in the readings of Calvino’s texts in different contexts. This volume therefore covers, most notably, matters of genre (science fiction, postmodernism), cultural perceptions and conventions, the (re)current image of the author in different media, academic schools, -curricula and -canons, biographical information (...
The Edinburgh Companion to Women in Publishing, 1900–2020
Women's creative labour in publishing has often been overlooked. This book draws on dynamic new work in feminist book history and publishing studies to offer the first comparative collection exploring women's diverse, deeply embedded work in modern publishing. Highlighting the value of networks, collaboration, and archives, the companion sets out new ways of reading women's contributions to the production and circulation of global print cultures. With an international, intergenerational set of contributors using diverse methodologies, essays explore women working in publishing transatlantically, on the continent, and beyond the Anglosphere. The book combines new work on high-profile women publishers and editors alongside analysis of women's work as translators, illustrators, booksellers, advertisers, patrons, and publisher's readers; complemented by new oral histories and interviews with leading women in publishing today. The first collection of its kind, the companion helps establish and shape a thriving new research field.
Italian Science Fiction
This book explores Italian science fiction from 1861, the year of Italy’s unification, to the present day, focusing on how this genre helped shape notions of Otherness and Normalness. In particular, Italian Science Fiction draws upon critical race studies, postcolonial theory, and feminist studies to explore how migration, colonialism, multiculturalism, and racism have been represented in genre film and literature. Topics include the role of science fiction in constructing a national identity; the representation and self-representation of “alien” immigrants in Italy; the creation of internal “Others,” such as southerners and Roma; the intersections of gender and race discrimination; and Italian science fiction’s transnational dialogue with foreign science fiction. This book reveals that though it is arguably a minor genre in Italy, science fiction offers an innovative interpretive angle for rethinking Italian history and imagining future change in Italian society.
Vienna
How can one European capital be responsible for most of the West’s intellectual and cultural achievements in the twentieth century? Viennese ideas saturate the modern world. From California architecture to Hollywood Westerns, modern advertising to shopping malls, orgasms to gender confirmation surgery, nuclear fission to fitted kitchens—every aspect of our history, science, and culture is in some way shaped by Vienna. The city of Freud, Wittgenstein, Mahler, and Klimt was the melting pot at the heart of a vast metropolitan empire. But with the Second World War and the rise of fascism, the dazzling coteries of thinkers who squabbled, debated, and called Vienna home dispersed across the world, where their ideas continued to have profound impact. Richard Cockett gives us the entirety of this extraordinary story. Tracing Vienna’s rich intellectual history from psychoanalysis to Reaganomics, Cockett encompasses everything from the communist rebels of Red Vienna to the neoliberal economists of the Austrian School. This is the panoramic account of how one city made the modern world—and how we all remain inescapably Viennese.
Posthumanism in Italian Literature and Film
As humans re-negotiate their boundaries with the nonhuman world of animals, inanimate entities and technological artefacts, new identities are formed and a new epistemological and ethical approach to reality is needed. Through twelve thought-provoking, scholarly essays, this volume analyzes works by a range of modern and contemporary Italian authors, from Giacomo Leopardi to Elena Ferrante, who have captured the shift from anthropocentrism and postmodernism to posthumanism. Indeed, this is the first academic volume investigating narrative configurations of posthuman identity in Italian literature and film.
The History of Science Fiction and Its Toy Figurines
Science fiction, as the name suggests, is the combination of science and fantasy. In addition to a literary form, it also encompasses film, TV, comics, toys and our beloved toy astronauts, or other figures such as aliens, monsters and other playable genres. The term science fiction was coined by publisher Hugo Gernsbach around the first decades of the last century to refer to the predominantly 'space' adventures covered in his magazines. Space invaded radio, cinema, TV, and consequently for a long time toy figurines were predominantly space-related, later evolving into other themes. This lavishly illustrated book covers both the history of literary science fiction, following in the footsteps of contemporary official criticism, and toy figurines inspired by science fiction. You will also find several other themes, such as the link between science fiction figures and cinema, radio, TV, comics, and more. Luigi Toiati offers to both guide the reader on an often-nostalgic walk through science fiction in all its various forms, and to describe the figurines and brands associated with it.
Out of This World
The twenty-first century has witnessed an explosion of speculative fiction in translation (SFT). Rachel Cordasco examines speculative fiction published in English translation since 1960, ranging from Soviet-era fiction to the Arabic-language dystopias that emerged following the Iraq War. Individual chapters on SFT from Korean, Czech, Finnish, and eleven other source languages feature an introduction by an expert in the language's speculative fiction tradition and its present-day output. Cordasco then breaks down each chapter by subgenre--including science fiction, fantasy, and horror--to guide readers toward the kinds of works that most interest them. Her discussion of available SFT stands alongside an analysis of how various subgenres emerged and developed in a given language. She also examines the reasons a given subgenre has been translated into English. An informative and one-of-a-kind guide, Out of This World offers readers and scholars alike a tour of speculative fiction's new globalized era.
Chinas »Zerrissene Generation«
Staatliche Zukunftsvisionen eines florierenden Landes sind in China vorgelebte Realität. Als Gegenentwurf dazu analysiert Frederike Schneider-Vielsäcker die kritische Auseinandersetzung mit sozialpolitischen Diskursen in Science-Fiction-Erzählungen der chinesischen Post-80er-Generation (balinghou). Sie eröffnet einen bisher unbekannten Blick auf die Ästhetik, Poetik und subversiven Qualitäten chinesischer Science-Fiction, welche die gelebten Realitäten einer Generation von Einzelkindern im urbanen China des 21. Jahrhunderts zutage bringt. Zugleich veranschaulicht sie die tiefgreifenden wirtschaftlichen und sozialen Veränderungen dieser Ära - und macht so ein Leben jenseits des »Chinesischen Traums« sichtbar.
Letterati editori
In questa edizione completamente rinnovata di Letterati editori – a un tempo saggio di storia della cultura letteraria e fortunata incursione teorica nei meccanismi dell'editoria – Alberto Cadioli ridefinisce la categoria del «letterato editore» da lui stesso coniata: homme de lettres a vario titolo impegnato in una casa editrice, il cui intervento può essere considerato da una parte la testimonianza della sua personalità artistica, dall'altra il segno della sua militanza, della volontà di incidere sul tempo in cui vive. All'inizio del secolo scorso, quando l'era del mecenatismo è ormai un lontano ricordo e l'intellettuale in crisi deve arrabattarsi per trovare nuovo status e nuovi...
