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An international report on 2020, a year sadly marred by the COVID-19 pandemic. In addition to the testimonies of psychologist Giuliana Attanasio and artist Riccardo Matlakas, artists, doctors and scientists from all over the world (including Sadhguru, but also historical artists such as ORLAN and Stelarc) tell their ideas and experiences, each with a different eye on a drama that is affecting everyone without making distinctions. Giuliana Attanasio, born in 1980, currently lives in Naples. She attended the University of Florence for a degree in Clinical and Health Psychology; after graduation, she started working nationally and internationally as a freelance practitioner in the clinical and ...
Mediterranean studies flourish in literary and cultural studies, but concepts of the Mediterranean and the theories and methods they use are very disparate. This is because the Mediterranean is not a simple geographical or historical unity, but a multiplicity, a network of highly interconnected elements, each of which is different and individual. Talking about Mediterranean literature raises the question of whether the connectivity of Mediterranean literature can or should be limited in some way by constructing an inside and an outside of the Mediterranean. What kind of connectivity and fragmentation do literary texts produce, how do they build and interrupt references (to the real, to fictional forms of representation, to history, but also to other texts and discourses), how do they create and deny communication, and how do they engage with and reflect literary and non-literary concepts of the Mediterranean? These and other questions are considered and discussed in the over twenty contributions gathered in this volume.
Between the two world wars, thousands of European antifascists were pushed to act by the political circumstances of the time. In that context, the Spanish Civil War and the armed resistances during the Second World War involved particularly large numbers of transnational fighters. The need to fight fascism wherever it presented itself was undoubtedly the main motivation behind these fighters’ decision to mobilise. Despite all this, however, not enough attention has been paid to the fact that some of these volunteers felt they were the last exponents of a tradition of armed volunteering which, in their case, originated in the nineteenth century. The capacity of war volunteering to endure and persist over time has rarely been investigated in historiography. The aim of this book is to reconstruct the radical and transnational tradition of war volunteering connected to Giuseppe Garibaldi’s legacy in Southern Europe between the unification of Italy (1861) and the end of the Second World War (1945). This book seeks to provide a comprehensive analysis of the long-term, interconnected, and radical dimensions of the so called Garibaldinism.
"Epic" films, those concerned with monumental events and larger-than-life characters, cover the period from the Creation to the A.D. 1200s and have been churned out by Hollywood and overseas studios since the dawn of filmmaking. Cecil B. DeMille, a master of the genre, hit upon the perfect mixture of sex, splendor, and the sacred to lure audiences to his epic productions. The 355 film entries include casts and credits, plot synopsis, and narratives on the making of the films. There are 190 photographs in this editon.
This collection is the first book-length study to re-evaluate all of James Joyce's major fictional works through the lens of cognitive studies. Cognitive Joyce presents Joyce's relationship to the scientific knowledge and practices of his time and examines his texts in light of contemporary developments in cognitive and neuro-sciences. The chapters pursue a threefold investigation—into the author's "extended mind" at work, into his characters' complex and at times pathological perceptive and mental processes, and into the elaborate responses the work elicits as we perform the act of reading. This volume not only offers comprehensive overviews of the oeuvre, but also detailed close-readings that unveil the linguistic focus of Joyce's drama of cognition.
This book deals with the transformation of the international legal system into a new world order. Looking at concepts and principles, processes and emerging problems, it examines the impact of global forces on international law. In so doing, it identifies a unified set of legal rules and processes from the great variety of state practice and jurisprudence. The work develops a new framework to examine the key elements of the global legal system, termed the 'four pillars of global law': verticalization, legality, integration and collective guarantees. The study provides an in-depth analysis of the differences between traditional international law and the new principles and processes along which the universal society and world power are organized and how this is related to domestic power. The book addresses important changes in key legal issues; it reconstructs a complex legal framework, and the emergence of a new international order that has still not been studied in depth, providing a compass that will prove a useful resource for students, researchers and policy makers within the field of law and with an interest in international relations.