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Building the Body of Christ
In Building the Body of Christ, Daniel C. Cochran argues that monumental Christian art and architecture played a crucial role in the formation of individual and communal identities in late antique Italy. The ecclesiastical buildings and artistic programs that emerged during the fourth and fifth centuries not only reflected Christianity’s changing status within the Roman Empire but also actively shaped those who used them. Emphasizing the importance of materiality and the body in early Christian thought and practice, Cochran shows how bishops and their supporters employed the visual arts to present a Christian identity rooted in the sacred past but expressed in the present through church un...
The Uncreated Light
Structured according to the biblical account of Christs transfiguration, this beautiful exploration weaves together iconographical representations and theological interpretation.
Ravenna and the Traditions of Late Antique and Early Byzantine Craftsmanship
In the last twenty years scholarship on late antique and early medieval Ravenna has resulted in a certain number of publications mainly focused on the fields of architecture, mosaics and archaeology. On the contrary, much less attention has been paid on labour – both manual and intellectual – as well as the structure of production and objects derived from manufacturing activities, despite the fact that Ravenna is the place which preserves the highest number of historical evidence among all centres of the late Roman Mediterranean. Its cultural heritage is vast and composite, ranging from papyri to inscriptions, from ivories to marbles, as well as luxury objects, pottery, and coins. Starting from concrete typologies of hand-manufactured goods existing in the Ravennate milieu, the book aims at exploring the multifaceted traditions of late antique and early Byzantine handicraft from the fourth to the eighth century AD. Its perspective is to pay attention more on patronage, social taste, acculturation, workers and the economic industry of production which supported the demand, circulation and distribution of artefacts, than on the artistic evaluation of the objects themselves.
Temptation Transformed
A "brisk and entertaining" (Wall Street Journal) journey into the mystery behind why the forbidden fruit became an apple, upending an explanation that stood for centuries. How did the apple, unmentioned by the Bible, become the dominant symbol of temptation, sin, and the Fall? Temptation Transformed pursues this mystery across art and religious history, uncovering where, when, and why the forbidden fruit became an apple. Azzan Yadin-Israel reveals that Eden’s fruit, once thought to be a fig or a grape, first appears as an apple in twelfth-century French art. He then traces this image back to its source in medieval storytelling. Though scholars often blame theologians for the apple, accounts of the Fall written in commonly spoken languages—French, German, and English—influenced a broader audience than cloistered Latin commentators. Azzan Yadin-Israel shows that, over time, the words for “fruit” in these languages narrowed until an apple in the Garden became self-evident. A wide-ranging study of early Christian thought, Renaissance art, and medieval languages, Temptation Transformed offers an eye-opening revisionist history of a central religious icon.
Representations of the Feminine in the Middle Ages
For the most part, the women portrayed have speak to us through intermediaries. Hildegard of Bingen, Christine de Pisan, and Ann Hutchinson's 'recusant nuns' may present themselves in their own words - though even here there are veils of concealment, dissimulation, assumption and presumption to be removed - but Chaucer's women, Chretien's patrons, Milton's Eve, the conflation of saints which comprises Wilgefortis, Ste Foy, and the imperious Theodora are presented in the words, works and social milieux of men. Where they are, ostensibly, given their own voices it is by male authors.
The Lives of Peter the Iberian, Theodosius of Jerusalem, and the Monk Romanus
The context of the history of Georgia from the fourth to the sixth centuries -- Christianity and monasticism in Georgia in the fourth and fifth centuries -- Peter's genealogy in the life of Peter the Iberian : hagiographic ancestry -- The history of the christological controversies and their context in Palestine from the fourth to the sixth centuries -- Monasticism in fifth-century Palestine -- On the death of Theodosius -- The anti-chalcedonian defeat in Palestine -- Authorship -- John Rufus -- Rhetoric and genre in the life of Peter the Iberian -- Text-critical overview -- Versions and original text -- Synopsis of the Vita Petri Iberi and the De obitu Theodosii -- Outline of the Vita Petri Iberi -- Outline of the De obitu Theodosii -- Genealogical tables of the families of Peter the Iberian and Zuzo -- Chronological timeline -- Texts and translations -- Life of Peter the Iberian -- On the death of Theodosius.
Venice & Antiquity
Inscriptions, medals, and travelers' accounts, on more learned humanist and antiquarian writings, and, most importantly, on the art of the period, Brown explores Venice's evolving sense of the past. She begins with the late middle ages, when Venice sought to invent a dignified civic past by means of object, image, and text. Moving on to the fourteenth and fifteenth centuries, she discusses the collecting and recording of antiquities and the incorporation of Roman forms.
The Many Deaths of Peter and Paul
This study examines major narrative elements of the martyrdom accounts of Peter and Paul and explores the variety concerning whether the apostles died separately or together, why they died, when they died, where they died, and what happened to their bodies after their deaths.
Ante Pacem
Early Christianity emerged from obscurity to dominate the Roman world: that story, told and retold, continues to fascinate historians and believers. But the religion of ordinary Christians is not so well or easily known; they have left us no literary record of their faith and their hope, their marrying and their dying, their worship and their common life. Before the publication of "Ante Pacem there was no introduction or source-book for early Christian archaeology available in English. With his book Professor Snyder has performed an incalculable service for students of early Christianity and the world of late antiquity. He analyzes in one lavishly illustrated volume every piece of evidence that can, with some degree of assurance, be dated before the triumph of the emperor Constantine at the Milvian Bridge in 312CE thrust the nascent Christian culture "into a universal role as the formal religious expression of the Roman Empire."
Private Religious Foundations in the Byzantine Empire
Thomas examines the private ownership of ecclesiastical institutions to determine the nature and extent of private ownership of religious institutions in the Byzantine Empire. This includes churches, monasteries, and philanthropic institutions such as hospitals and orphanages, which were founded by private individuals and retained for personal administration independent of the public authorities of the state and church.
