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This volume takes a fresh and innovative approach to the history of ideas of work, concerning perceptions, attitudes, cultures and representations of work throughout Antiquity and the medieval and early modern periods. Focusing on developments in Europe, the contributors approach the subject from a variety of angles, considering aspects of work as described in literature, visual culture, and as perceived in economic theory. As well as external views of workers the volume also looks at the meaning of work for the self-perception of various social groups, including labourers, artisans, merchants, and noblemen, and the effects of this on their self-esteem and social identity. Taking a broad chronological approach to the subject provides readers with a cutting-edge overview of research into the varying attitudes to work and its place in pre-industrial society.
Leonardo da Vinci's 'A Treatise on Painting' is a collection of his writings on the science of painting, emphasizing his keen observation of expression and character. One of its most famous principles is the branching rule, which states that all branches of a tree put together at every stage of its height are equal in thickness to the trunk below them. With an aim to argue that painting was a science, da Vinci's work is a valuable resource for artists and art enthusiasts alike.
Religion and liberty are often thought to be mutual enemies: if religion has a natural ally, it is authoritarianism--not republicanism or democracy. But in this book, Maurizio Viroli, a leading historian of republican political thought, challenges this conventional wisdom. He argues that political emancipation and the defense of political liberty have always required the self-sacrifice of people with religious sentiments and a religious devotion to liberty. This is particularly the case when liberty is threatened by authoritarianism: the staunchest defenders of liberty are those who feel a deeply religious commitment to it. Viroli makes his case by reconstructing, for the first time, the his...
This newest volume in Hudson Hills Press's acclaimed series about leading collections of master drawings presents sixty-eight great sheets, all reproduced in full-color, including many versos, from one of the finest college museums in America.
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