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New York City Center of Music and Drama, Fall season, 1951, New York City Opera Company, fifty-fourth performance by the New York City Opera Company of "La Boheme," music by G. Puccini, libretto by G. Giacosa and L. Miea after the novel by Henry Murger, conductor: Julius Rudel, staged by Leopold Sachse, scenic designer: H.A. Condell.
Libretto: La Boh�meBy Giuseppe Giacosa and Luigi Illica
This bibliography lists English-language translations of twentieth-century Italian literature published chiefly in book form between 1929 and 1997, encompassing fiction, poetry, plays, screenplays, librettos, journals and diaries, and correspondence.
Next to Verdi's Ada, Giacomo Puccini's La Bohme is the most popular opera ever written. Performances of Ada, La Bohme, Carmen, and Don Giovanni ? the four operas most often performed ? constitute approximately 75 percent of the yearly schedule of operas throughout the world. This volume contains everything the opera goer needs to derive full satisfaction from La Bohme except the musical score itself. Most important, it provides the complete text of the Italian libretto, just as it is actually sung; that is, where a singer repeats a phrase several times, each of the repetitions is given here. And facing the Italian text is a completely new translation of the libretto into modern, id...
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Publisher description
The Encyclopedia of Italian Literary Studies is a two-volume reference book containing some 600 entries on all aspects of Italian literary culture. It includes analytical essays on authors and works, from the most important figures of Italian literature to little known authors and works that are influential to the field. The Encyclopedia is distinguished by substantial articles on critics, themes, genres, schools, historical surveys, and other topics related to the overall subject of Italian literary studies. The Encyclopedia also includes writers and subjects of contemporary interest, such as those relating to journalism, film, media, children's literature, food and vernacular literatures. Entries consist of an essay on the topic and a bibliographic portion listing works for further reading, and, in the case of entries on individuals, a brief biographical paragraph and list of works by the person. It will be useful to people without specialized knowledge of Italian literature as well as to scholars.
Examines post-colonial issues in Madama Butterfly, the historical background, conflicted representation of the heroine, and controversial reception in Japan.
The late Doscher was a singing teacher at the U. of Colorado-Boulder. This volume compiles the note cards on songs and arias that she composed in order to aid her teaching. The entries are broadly organized by type of piece, with notes on difficulty, author, keys available, ranges, tessitura, voice types, and other comments included. Five indexes allow readers to find compositions by composer, lyricist, title, range, and difficulty level. Annotation copyrighted by Book News, Inc., Portland, OR