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The games comprised gladiatorial fights, staged animal hunts (venationes) and the executions of convicted criminals and prisoners of war. Besides entertaining the crowd, the games delivered a powerful message of Roman power: as a reminder of the wars in which Rome had acquired its empire, the distant regions of its far-flung empire (from where they had obtained wild beasts for the venatio), and the inevitability of Roman justice for criminals and those foreigners who had dared to challenge the empire's authority. Though we might see these games as bloodthirsty, cruel and reprehensible condemning any alien culture out of hand for a sport that offends our sensibilities smacks of cultural chauv...
This was Rome, a city of bloodshed and laughter, of food and starvation. But why was so much wealth, time and trouble lavished on free entertainments? The Age of the Gladiators explores many savage spectacles of Ancient Rome, many of which have become proverbial for their cruelty, bloodlust and glory. From Gladiator fights in grand amphitheaters to chariot racing at the Circus Maximus, Romans had their pick of extreme spectator sports. Rupert Matthews explores the development of these customs, from religious rites into opportunities to bolster political esteem. Were Romans truly free citizens, governed by a fair democracy? And if not, what part did these free entertainments play in the political chess game? This fascinating book reveals all.
The ruins of Pompeii reveal more graphically than anywhere else in the Roman world the vital role that gladiators and gladiatorial combat played in society. The Vesuvian eruption not only sealed the oldest amphitheatre to survive from antiquity, but also grafitti, elaborate weaponry, stone monuments and paintings which all testify to the popularity of gladiators, several of which are known to us by name. In addition, the discovery of a training barracks allows us to locate physically the place of gladiators in the city. This book, now available in English translation, presents the evidence from Pompeii in full colour photographs, accompanied by reconstruction drawings and an informative text that takes us through the streets of Pompeii as the gladiators would have known it.
Giant: 'This exciting book gives people behind-the-scenes secrets to all the nail-biting drama and thrilling action from the series.' Fire: 'We give you the low-down on our exercise regimes, our journeys to becoming Gladiators and, of course, our moves. Are you ready?' Legend: 'This book is worth buying, just so you can read more about me.' ARE YOU READY? THE COMPANION BOOK THAT GIVES FANS AN ACCESS-ALL-AREAS PASS ONTO THE SET OF THE UK'S HIGHEST-RATED ENTERTAINMENT GAMESHOW! Do you want to know absolutely everything about the show's Gladiators, and what it takes to be a superhero? In Gladiators: Ready!, the Gladiators open up like never before. From Apollo and Diamond to Fire and Viper, you...
Ancient and Medieval People profiles some of the fiercest warriors in history. Lean about their lives and times, notorious battles, and daring feats! In The Roman Gladiators, read about gladiators battles in the Colosseum. Learn about how gladiators trained, their armor and weapons, and gladiatorial games. Book jacket.
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Of all aspects of Roman culture, the gladiatorial contests for which the Romans built their amphitheatres are at once the most fascinating and the most difficult for us to come to terms with. They have been seen variously as sacrifices to the gods or, at funerals, to the souls of the deceased; as a mechanism for introducing young Romans to the horrors of fighting; and as a direct substitute for warfare after the imposition of peace. In this original and authoritative study, Thomas Wiedemann argues that gladiators were part of the mythical struggle of order and civilisation against the forces of nature, barbarism and law breaking, representing the possibility of a return to new life from the point of death; that Christian Romans rejected gladiatorial games not on humanitarian grounds, but because they were a rival representation of a possible resurrection.
Dark and stern, in their weird beauty, lower the sad brows of the Queen of Hell. Dear to her are the pomp and power, the shadowy vastness, and the terrible splendour of the nether world. Dear to her the pride of her unbending consort; and doubly dear the wide imperial sway, that rules the immortal destinies of souls. But dearer far than these-dearer than flashing crown and fiery sceptre, and throne of blazing gold-are the memories that glimmer bright as sunbeams athwart those vistas of gloomy grandeur, and seem to fan her weary spirit like a fresh breeze from the realms of upper earth. She has not forgotten, she never can forget, the dewy flowers, the blooming fragrance of lavish Sicily, nor the sparkling sea, and the summer haze, and the golden harvests that wave and whisper in the garden and granary of the world. Then a sad smile steals over the haughty face; the stern beauty softens in the gleam, and, for a while, the daughter of Ceres is a laughing girl once more.
Describes the events and games held in the amphitheaters, cicuses, and theaters in ancient Rome.
Reprint of the original, first published in 1863.