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Glenda Abramson's informative introduction sets the scene for a powerful literary collection, the definitive anthology of a vibrant modern genre.
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This book brings together a collection of 16 essays, first published in the Journal of Modern Jewish Studies, that explore Jewish communities in North Africa, Turkey and Iraq. The discussions are located primarily in the 20th century but essays also examine the Jewish community in 16th-century Istanbul, and in early modern Morocco. Topics include traumatic departures of communities from countries of centuries-old Jewish residence, and relocations; pilgrimages to holy sites by Mizrahi Jews in Israel; resonances of Shabbetai Zevi in Turkey and Morocco; "otherness" and the nature of homeland; the Sephardi culinary heritage as realised in the cookbooks of Claudia Roden; sites of memory, such as Kuzguncuk in Turkey; and a controversial view of the exclusions and erasures that Arabized Jews have undergone. In this unique collection a major, but not exclusive, theme is that of the instability of memory, and the attempt to understand the interactions between memory and history as Jews recount their experiences of living in, and often leaving, their past homelands. This book was originally published as a special issue of the Journal of Modern Jewish Studies.
Cohen takes an in-depth critical look at three novelists and two poets who stand at the forefront of contemporary Israeli literature, and whose works have been widely read, studied, and admired in the Western world. The critiques examine all English translations of these Israeli writers' major works from the beginning of their careers up to the present. Cohen demonstrates the vitality and virtuosity of the so-called New Wave Israeli writers whose sources and influences are as ancient as the stories of the Hebrew Bible and as modern as the interiorization of reality found in Proust, Faulkner, Woolf, and Joyce; and the literary adaptation of relativity found in Borges, Lowry, and Durrell. Complementing the critiques are interviews with the five Israeli writers. The issues discussed—the relation of politics and literature, the influence of literature on life, the role of the writer in society, the moral responsibility of the writer—combine with the essays to provide comprehensive insight into the contemporary Israeli psyche.
The Holocaust - the systematic attempted destruction of European Jewry and other 'threats' to the Third Reich from 1933 to 1945 - has been portrayed in fiction, film, memoirs, and poetry. Gene Plunka's study will add to this chronicle with an examination of the theatre of the Holocaust. Including thorough critical analyses of more than thirty plays, this book explores the seminal twentieth-century Holocaust dramas from the United States, Europe, and Israel. Biographical information about the playwrights, production histories of the plays, and pertinent historical information are provided, placing the plays in their historical and cultural contexts.
The traumatic experiences of persecution and genocide have changed traditional views of literature. The discussion of historical truth versus aesthetic autonomy takes an unexpected turn when confronted with the experiences of the victims of the Holocaust, the Gulag Archipelago, the Cultural Revolution, Apartheid and other crimes against humanity. The question is whether - and, if so, to what extent - literary imagination may depart from historical truth. In general, the first reactions to traumatic historical experiences are autobiographical statements, written by witnesses of the events. However, the second and third generations, the sons and daughters of the victims as well as of the victimizers, tend to free themselves from this generic restriction and claim their own way of remembering the history of their parents and grandparents. They explore their own limits of representation, and feel free to use a variety of genres; they turn to either realist or postmodernist, ironic or grotesque modes of writing.
A large number of political plays have been written in Israel over the past fifty years, and they are perceived, by audiences and critics alike, as major interventions in the country's ongoing political debates; the result is that Israeli drama is at the centre of many public controversies. In this first full-length study of Israeli political drama Glenda Abramson shows that during the early years of the State of Israel most of its intellectuals were identified with the 'official' state interpretation of Zionism. After the Six-Day War in 1967 an influential group of playwrights, concerned with the evolution of Zionist ideology in the modern nation state, began to question the ethical basis of Zionism. Hanokh Levin, Yehoshua Sobol, Yosef Mundi, Miriam Kainy, Amos Kenan and others have gone on to examine Zionism as it affects contemporary Israeli society.
The Doubts and Loves of Yehuda Amichai: Israeli, European, and International Poet presents the life and works of Yehuda Amichai, born Ludwig Pfeuffer in Würzburg, Germany. The book is based on copious material from Amichai's personal archive in the Beinecke Library at Yale University, other archives and numerous interviews with family members and others who knew him well. Each phase of the biography is linked to its overarching historical context and provides a literary analysis of the key features of his writing. What emerges is a multifaceted picture of a crucial period in the 20th century in which Amichai was both a witness and an actor, without ever taking a simplistic, direct position ...
The thirty chapters of this innovative international study are all devoted to the topic of the play within the play. The authors explore the wide range of aesthetic, literary-theoretical and philosophical issues associated with this rhetorical device, not only in terms of its original meta-theatrical setting - from the baroque idea of a theatrum mundi onward to contemporary examples of postmodern self-referential dramaturgy - but also with regard to a variety of different generic applications, e.g. in narrative fiction, musical theatre and film. The authors, internationally recognized specialists in their respective fields, draw on recent debates in such areas as postcolonial studies, game a...
With the aim to write the history of Christianity in Scandinavia with Jerusalem as a lens, this book investigates the image – or rather the imagination – of Jerusalem in the religious, political, and artistic cultures of Scandinavia through most of the second millennium. Volume 3 analyses the impact of Jerusalem on Scandinavian Christianity from the middle of the 18. century in a broad context. Tracing the Jerusalem Code in three volumes Volume 1: The Holy City Christian Cultures in Medieval Scandinavia (ca. 1100–1536) Volume 2: The Chosen People Christian Cultures in Early Modern Scandinavia (1536–ca. 1750) Volume 3: The Promised Land Christian Cultures in Modern Scandinavia (ca. 1750–ca. 1920)