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I Used to be a Superwoman
The Chicano Movement is not dead. It lives on, fierce and passionate, in the voice and person of Gloria Velàsquez. Challenging our complacency, her resonant cries for justice ñrefuse to be silent/to be buried in obscurityî. Velàsquez has known poverty and discrimination intimately and, like a phoenix from the ashes, she has risen to recognition as an artist, an educator and a leader. But, the poet is as uncompromising with herself as she is with her reader. Refusing to rest on her laurel, her ardent verses are a pledge reiterating her allegiance to la causa and a call to arms demanding that others perpetuate the struggle. A consummate oral performer and speaker, Velàsquez has been uniquely successful in transferring onto the printed page the drama of reciting poetry on barrio streets. These pages burn with the fire of action and commitment.
Latino Writers and Journalists
Provides short biographies of Latino American writers and journalists and information on their works.
The Trouble with Tessa
After Tessa's father inexplicably makes her change her summer plans, she spends the summer wondering what he is hiding, experimenting with magic spells, and making a new friend.
Invisible No More
Latino men and boys in the United States are confronted with a wide variety of hardships that are not easily explained or understood. They are populating prisons, dropping out of high school, and are becoming overrepresented in the service industry at alarming degrees. Young Latino men, especially, have among the lowest wages earned in the country, a rapidly growing rate of HIV/AIDS, and one of the highest mortality rates due to homicide. Although there has been growing interest in the status of men in American society, there is a glaring lack of research and scholarly work available on Latino men and boys. This groundbreaking interdisciplinary volume, edited by renowned scholars Pedro Nogue...
The Chicano Latino Literary Prize
ñDavid is mine!î Mrs. Renteria shouts out to her neighbors gathered about the dead but handsome young man found in the dry riverbed next to their homes in a Los Angeles barrio. ñDavid?î Tiburcio asked. ñSince when is his name David? He looks to me more like a î Tiburcio glanced at the manÍs face, ñ a Luis.î Mrs. RenteriaÍs neighbors call out a litany of names that better suit the mysterious corpse: Roberto, Antonio, Henry, Enrique, Miguel, Roy, Rafael. The very first winner of the Chicano / Latino Literary Prize in 1974, Ron AriasÍ ñThe Wetbackî uses dark humor to reflect on the appearance of a dead brown man in their midst. This landmark collection of prize-winning fiction,...
HIV/AIDS in Young Adult Novels
Not long after becoming public health concerns in the 1980s, HIV and AIDS were featured in a number of works of fiction, though such titles were written primarily for adult readers. Mirroring the disease's indiscriminate nature, however, the subject would soon be incorporated into novels aimed at young adults. Despite a need for accessible information on the subject, it is difficult to identify fiction that contains material about HIV/AIDS, as these books are seldom catalogued for this content, nor is this content consistently acknowledged in published reviews. In HIV/AIDS in Young Adult Novels: An Annotated Bibliography, the authors address this gap by identifying and assessing the full ran...
Dancing with Ghosts
A critical biography of novelist, poet, and former Stanford professor Arturo Islas (1938-1991).
