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Emeritus Professor Glynnis Cropp retired from Massey University, New Zealand, at the end of July 2001 after a career as lecturer, reader and professor of French. She is one of the foremost scholars in the world in medieval French and Occitan studies, and a specialist in the writings of Christine de Pizan and in the medieval adaptations of Boethius' 'Consolatio Philosophiae'. This collection of essays has been offered by colleagues who have enjoyed working with Glynnis Cropp on her various projects during her career. They include Liliane Dulac, Angus Kennedy, James Laidlaw, Peter Ricketts, Brian Merrilees, Nadia Margolis, Roy Rosenstein, Keith Atkinson, Maxwell Walkley, Denis Drysdale, Alison...
The articles in this volume focus upon Boethius's extant works: his De arithmetica and a fragmentary De musica, his translations and commentaries on logic, his five theological texts, and, of course, his Consolation of Philosophy. They examine the effects that Boethian thought has exercised upon the learning of later generations of scholars.
Boethius' Consolatio Philosophiae is one of those exceptional works that circulated widely throughout such diverse medieval cultures as the schools and universities, the court, and religious houses. It spawned a rich tradition of Latin commentaries and was a major force in shaping vernacular literary traditions, including the works of Jean de Meun, Dante, and Chaucer. The changing perceptions of the Consolatio are the subject of this collection of new essays. The first section is devoted to the Latin commentary tradition (William of Conches, Nicholas Trevet, and Pierre d'Ailly). The other sections explore the vernacular traditions (Italian, French, German, English, and Dutch). The book underlines the interactions between the Latin and the vernacular and between literary and scholastic contexts, and the focus throughout is on the intellectual and institutional background of the works discussed.
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An examination of the ways in which late medieval lyric poetry can be seen to engage with contemporary medical theory. This book argues that late medieval love poets, from Petrarch to Machaut and Charles d'Orléans, exploit scientific models as a broad framework within which to redefine the limits of the lyric subject and his body. Just as humoraltheory depends upon principles of likes and contraries in order to heal, poetry makes possible a parallel therapeutic system in which verbal oppositions and substitutions counter or rewrite received medical wisdom. The specific case of blindness, a disability that according to the theories of love that predominated in the late medieval West foreclosed the possibility of love, serves as a laboratory in which to explore poets' circumvention of the logical limits of contemporary medical theory. Reclaiming the power of remedy from physicians, these late medieval French and Italian poets prompt us to rethink not only the relationship between scientific and literary authority at the close of the middle ages, but, more broadly speaking, the very notion of therapy. Julie Singer is Assistant Professor of French at Washington University, St Louis.
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Die IBOHS verzeichnet jährlich die bedeutendsten Neuerscheinungen geschichtswissenschaftlicher Monographien und Zeitschriftenartikel weltweit, die inhaltlich von der Vor- und Frühgeschichte bis zur jüngsten Vergangenheit reichen. Sie ist damit die derzeit einzige laufende Bibliographie dieser Art, die thematisch, zeitlich und geographisch ein derart breites Spektrum abdeckt. Innerhalb der systematischen Gliederung nach Zeitalter, Region oder historischer Disziplin sind die Werke nach Autorennamen oder charakteristischem Titelhauptwort aufgelistet.
Argues that the 13th-century French poem can best be understood not by trying to resolve or choosing among the diverse meanings within it or among the myriad of interpretations by scholars and medieval and modern readers, but to accept those differences and reflect on our own willingness to accept to reject those meanings as a guide for a love or morality. Paper edition (unseen), $17.95. Annotation copyright by Book News, Inc., Portland, OR
Using one man as a lens, a man known variously as Folquet, Folques, Folco, and Folc, it will examine some of the important changes and developments of the period from a new, more human, perspective.
Remembering Boethius explores the rich intersection between the reception of Boethius and the literary construction of aristocratic identity, focusing on a body of late-medieval vernacular literature that draws on the Consolation of Philosophy to represent and reimagine contemporary experiences of exile and imprisonment. Elizabeth Elliott presents new interpretations of English, French, and Scottish texts, including Machaut's Confort d'ami, Remede de Fortune, and Fonteinne amoureuse, Jean Froissart's Prison amoureuse, Thomas Usk's Testament of Love, and The Kingis Quair, reading these texts as sources contributing to the development of the reader's moral character. These writers evoke Boethi...