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Killer Technique: Classical Guitar
All the exercises in Killer Technique: Classical Guitar are either based on orinspired by challenging passages and patterns that appear in compositions. Technical elements and passages have been stripped down and transformed into exercises to help the reader concentrate on specific targets through repetition.The exercises cover various techniques, such as finger independence in bothhands, different types of shifts, in-context slurs, in-context arpeggios, scales, tremolo and switches between different technical elements. The exercises are presented in standard notation and tablature. Explanations andinstructions are also provided. By using standard notation, the exercises include detailed inf...
Complete Warm-Up for Classical Guitar
This book contains short and concise exercises for use in a warm-up before practice or performance, and for general technical advancement. The book is divided into four sections: I Arpeggios, II Scales, III Tremolo, and IV Slurs. Each section contains a description of the exercises and general instructions on how to play them. The exercises are intended for guitarists who are looking for a simple warm-up that does not require learning many complicated etudes, exercises or routines. In this book, only one etude is used for a variety of arpeggio and tremolo patterns. The scale warm-ups are based on a two-octave, one-position scale that is shifted up and down the fretboard, and a simple one-pos...
Julio S Sagreras Guitar Lessons
The guitar lessons of Julio Sagreras are among the most universally used collections of guitar music and represent a milestone in didactic guitar literature. This book, which includes the first three volumes of the original six-volume series, is an ideal introduction to classical guitar playing as well as to LatinAmerican guitar music. Text written in English and Spanish with French and German translations in an appendix at the back of the book
Crystal Harmonics for Guitar
Crystal Harmonics for Guitar provides the guitarist with practical advice on playing harmonics and how to perform them with a crystal-clear tone. The material also covers various notation systems used by composers and publishers and includes examples of harmonics from regular guitar repertoire. Natural harmonic pitches and positions (by string and fret) are presented along with right-hand artificial harmonic techniques. In addition, you will learn how to tune the guitar with harmonics and how to practice passages which include them. This book can help guitarists interpret harmonics and provides composers with notational information to facilitate the reading process
Killer Technique
All the exercises in Killer Technique: Classical Guitar are either based on orinspired by challenging passages and patterns that appear in compositions. Technical elements and passages have been stripped down and transformed into exercises to help the reader concentrate on specific targets through repetition.The exercises cover various techniques, such as finger independence in bothhands, different types of shifts, in-context slurs, in-context arpeggios, scales, tremolo and switches between different technical elements. The exercises are presented in standard notation and tablature. Explanations andinstructions are also provided. By using standard notation, the exercises include detailed inf...
First Lessons Flamenco Guitar
First Lessons Flamenco Guitar introduces the absolute basics of flamenco guitar. The book covers the fundamentals of reading music, including note and rest values, reading guitar tablature, finger names for the left and right hands, the names of guitar parts, and basic flamenco techniques and rhythms. This book and accompanying audio are meant for beginners who would like to familiarize themselves with the world of flamenco. Each lesson is accompanied by an audio track so students can hear what they are learning. Some online audio examples include different tempos for the same technique. First Lessons Flamenco Guitar will provide the base from which students can advance in their flamenco studies. Includes access to online audio.
The Church of the Holy Cross of Ałt‘amar
This book is dedicated to an outstanding architectural monument of medieval Armenia – the church of the Holy Cross, built in the tenth century on the island of Ałt‘amar on Lake Van, and a UNESCO world heritage site. This jewel of architecture has been researched mainly from an art historical perspective. The current multi-author volume offers diverse studies aimed at placing the construction of the church in its proper historical, political, religious, and spiritual context. It explores the intellectual climate in the Kingdom of Vaspurakan during the reign of its founder, King Gagik Arcruni, the Kingdom’s relations with Byzantium and the Abbasids, analyzes local historiography, biblic...
Carlos Barbosa-Lima Arpeggio Studies for Guitar
This innovative and comprehensive arpeggio studies book takes the guitarist past the studies of Sor, Coste, Aguado, Giuliani, and Carcassi. These studies explore the entire fingerboard within the harmonic evolution of the 20th century with the key of E as the basic guide. the book deals with harmonies from triads through thirteenths in new, exciting ways-information which is extremely practical and invaluable for contemporary guitar performance!
The Guitar Gymnasium
This book deals not only with the technical aspects of guitar technique, but also with the many psychological factors inherent to the performance of music on the classic guitar. Contains thoughts, suggestions, studies and exercises gleaned through personal experience in an effort to benefit the musician.
Meanings and Functions of the Ruler's Image in the Mediterranean World (11th – 15th Centuries)
(The open access version of this book has been published with the support of the Swiss National Science Foundation.) The book proposes a reassessment of royal portraiture and its function in the Middle Ages via a comparative analysis of works from different areas of the Mediterranean world, where images are seen as only one outcome of wider and multifarious strategies for the public mise-en-scène of the rulers’ bodies. Its emphasis is on the ways in which medieval monarchs in different areas of the Mediterranean constructed their outward appearance and communicated it by means of a variety of rituals, object-types, and media. Contributors are Michele Bacci, Nicolas Bock, Gerardo Boto Varela, Branislav Cvetković, Sofia Fernández Pozzo, Gohar Grigoryan Savary, Elodie Leschot, Vinni Lucherini, Ioanna Rapti, Juan Carlos Ruiz Souza, Marta Serrano-Coll, Lucinia Speciale, Manuela Studer-Karlen, Mirko Vagnoni, and Edda Vardanyan.
