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Pink Ink
The tapping of typewriters first lifted the secrecy around homosexuality, and a vibrant array of voices was soon heard. The publishers of gay magazines and newspapers were a diverse and lively lot. Some wanted to publicise where the best parties were held; some to fight the political battle; and others to show new ways for lesbians and gay men to live their lives. The story of these magazines and newspapers is the story of society’s changing attitudes, and indeed, the changing gay world. This book traces the evolution of Australia’s gay and lesbian publications from smudgy porn sold in brown paper bags to glossy coffee-table magazines proudly on display; from gestetnered newsletters to an industry publishing millions of newspapers each year – that is, until the Internet changed it all.
Ink and Gold
Ink and Gold charts the development of Islamic calligraphy over a thousand years, from its beginnings in the Arabian Peninsula. Given the status of the Qur'an as the word of Allah and ambivalence towards representation of living things, the art of the pen became the focus of an extraordinary energy. The essays in this volume cover all the major centers of Islamic calligraphy, from North Africa to Central Asia, highlighting the achievements of Islamic calligraphers in the ages of the 'Abbasid (749-258), Seljuk (1055-1243), Ilkhanid (1256-1357), Safavid (1502-1736), and Mughal Empires (1526-1857). Though pride of place is given to the Qur'an, calligraphy is also examined in mystical and scientific works, Persian poetry, and calligraphy albums.
Ink, Silk & Gold
Ink, Silk, and Gold explores the dynamic and complex traditions of Islamic art through more than 115 major works in a dazzling array of media, reproduced in full color and exquisite detail manuscripts inscribed with gold, paintings on silk, elaborate metalwork, intricately woven textiles, luster-painted ceramics, and more. These objects, which originated within an Islamic world that ranges from Western Europe to Indonesia and across more than thirteen centuries, share a distinctive relationship to the materials they are made of: their color, shape, texture, and technique of production all convey meaning. Enhanced by texts from an international team of scholars and drawing on the latest technical information, Ink, Silk, and Gold is an inviting introduction to the riches of the Islamic art collection at the Museum of Fine Arts, Boston, and a window into a vibrant global culture.
Golden Ballast
DigiCat Publishing presents to you this special edition of "Golden Ballast" by Henry De Vere Stacpoole. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Blood, Milk, Ink, Gold
Most people would be hard pressed to name a famous artist from Renaissance France. Yet sixteenth-century French kings believed they were the heirs of imperial Rome and commissioned a magnificent array of visual arts to secure their hopes of political ascendancy with images of overflowing abundance. With a wide-ranging yet richly detailed interdisciplinary approach, Rebecca Zorach examines the visual culture of the French Renaissance, where depictions of sacrifice, luxury, fertility, violence, metamorphosis, and sexual excess are central. Zorach looks at the cultural, political, and individual roles that played out in these artistic themes and how, eventually, these aesthetics of exuberant ab...
Traces of Ink
Traces of Ink. Experiences of Philology and Replication is a collection of original papers exploring the textual and material aspects of inks and ink-making in a number of premodern cultures (Babylonia, the Graeco-Roman world, the Syriac milieu and the Arabo-Islamic tradition). The volume proposes a fresh and interdisciplinary approach to the study of technical traditions, in which new results can be achieved thanks to the close collaboration between philologists and scientists. Replication represents a crucial meeting point between these two parties: a properly edited text informs the experts in the laboratory who, in turn, may shed light on many aspects of the text by recreating the material reality behind it. Contributors are: Miriam Blanco Cesteros, Michele Cammarosano, Claudia Colini, Vincenzo Damiani, Sara Fani, Matteo Martelli, Ira Rabin, Lucia Raggetti, and Katja Weirauch.
The History of Ink
Reproduction of the original: The History of Ink by Thaddeus Davids
The History of Ink
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