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Don Carlos Buenaventura, a powerful brujo in his sixth life, practices a benign form of sorcery based on his motto “Do no harm.” His great powers derive from intensive training in heightened awareness akin to Eastern yogic disciplines rather than from incantations, spells, or aid from demon allies. He is accidentally born in 1684 into an aristocratic Catholic family in Mexico City, a social and religious milieu in which his identity as a brujo, if known, would put him in mortal danger. In repressing any sign that he is other than an ordinary young man, he forgets both his brujo powers and who he really is. Exiled at nineteen to the remote frontier town of Santa Fe, New Mexico, he is expo...
How we explain the evils of the world - and the darkest parts of ourselves - has preoccupied humans throughout history. In The Devil's Best Trick, Randall Sullivan investigates historical, religious and cultural conceptions of evil, from Biblical times to European witch hunts to the devil-worshipping 'Black Mass' ceremony. He travels to Mexico to participate in the 'Hour of the Witches' - an annual ceremony in which hundreds of people congregate in the jungle south of Vera Cruz to negotiate terms with El Diablo. He takes us through the most famous exorcism in American history. And he delivers original reporting on the shocking story of a small town in Texas that, in 1988, unravelled into par...
The Handbook of Spanish-English Translation is a lively and accessible book for students interested in translation studies and Spanish. This book details the growth of translation studies from Cicero to postcolonial interpretations of translation as rewriting. It examines through examples the main issues involved in translation and interpretation, such as text types, register, interference, equivalence and untranslatability. The chapters on interpretation and audiovisual translation and the comparative analysis of Spanish and English are especially significant. The second part of the book offers a rich compilation of diverse Spanish and English texts (academic, literary, and government writings, comic strips, brochures, movie scripts and newspapers) and their published translations, each with a brief introduction by Professor Aranda.
Si, además de la realidad, algo se opone a lo uniforme, son las crónicas urbanas de personajes y creencias. Así, por ejemplo, este auge de lo diverse admite la convivencia, divertida o resignada, contradictoria y complementaria, de Luis Miguel y el Nin̋o Fidencio, de El Santo, el enmascarado de Plata, y el Metro, de Sting y los coleccionistas de pintura virreinal. Lo antes mencionado, en un sentido digamos que positive, apunta al caos: en esta oportunidad no la alteración de las jerarquías sino la gana de vivir como si las jerarquias no estuviesen aquí, sobre uno y dentro de uno. Y el caos (en el sentido de marejada del relajo y suefio de la trascendencia) usa también de esas fijezas...
A Party for Lazarus is the story of a Cuban family, six generations removed from slavery, struggling to honor their ancestors amid changing fortunes and a crumbling state. It is an intimate portrait of an intergenerational family saga involving the future of an annual feast to celebrate ancestors and orisás—the life-changing spirits at the center of Black Atlantic religious life. Based on twenty years of fieldwork, Todd Ramón Ochoa’s masterful ethnography shows how orisá praise and everyday life have changed in revolutionary Cuba over two decades of economic hardship.
Waking up in Mictlan, the underworld entrance of the North, nearly dead from an evil witch's attack—this is where James Endredy's gripping true account of his experience with the witches of Veracruz begins. As the apprentice of a powerful curandero, or healer, Endredy learns the dangerous magic and mystical arts of brujería, a nearly extinct form of Aztec witchcraft, and his perilous training is fraught with spiritual trials and tests. Taught how to invoke spirits of the underworld for assistance and use dream trance to "fly," Endredy is subjected to the black magic of a brujo negro and left alone in the graveyard of the brujo masters to fight for his life. He is also called upon to do battle with the most sinister of all witches—el Brujo de Muerte, the Witch of Death. Upon becoming a curandero himself, Endredy takes on harrowing real-life cases: healing a young man possessed by the spirit of an Aztec warrior, rescuing a teenage girl from a Mexican drug cartel, and hunting down a vampire witch terrorizing a small community.
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This book demonstrates that the beliefs about writing reflect extensive contact with birth certificates, baptism records, and other church and state documents. It reviews Ecuadorian history to identify the specific documentation sources that have most influenced beliefs in the witch's book.
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