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Body, Gender, and Sexuality in Latin American Cinema: Insurgent Skin
Insurgent Skin: Body, Gender, and Sexuality in Latin American Cinema argues that twenty-first century Latin American cinema about lesbian, feminist, intersex, and transgender themes is revolutionary because it disrupts heteronormative and binary representation and explores new, queer signifying modes. Grounded in feminist and queer theory, Insurgent Skin conjugates film phenomenology and theories of affect and embodiment to analyze a spectrum of Latin American films. The first chapters explore queer signifying in Argentinean director Lucrecia Martel’s Salta trilogy and the lesbian utopia of Albertina Carri’s Las hijas del fuego (2018). Next, the book discusses the female body as uncanny absence in Tatiana Huezo’s documentary Tempestad (2016), a film about gendered violence in Mexico. Chapter Five focuses on intersex films and the establishing of queer solidarity and an intersex gaze. The last chapter examines transgender embodiment in the Chilean film Una mujer fantástica (2017) and Brazilian documentary Bixa Travesty (2018).
Paid to Care
An insight into the struggles of paid domestic workers in Latin America through an exploration of films, texts, and digital media produced since the 1980s in collaboration with them or inspired by their experiences. Paid domestic work in Latin America is often undervalued, underpaid, and underregulated. Exploring a wave of Latin American cultural texts since the 1980s that draw on the personal experiences of paid domestic work or intimate ties to domestic employees, Paid to Care offers insights into the struggles domestic workers face through an analysis of literary testimonials, documentary and fiction films, and works of digital media. From domestic workers’ experiences of unionization i...
Capitán Latinoamérica
Capitán Latinoamérica is the first study to examine the unique contribution of Latin American cinema, television, and web series to the global superhero boom. Through an analysis of superhero-themed media from Mexico to Argentina, Vinodh Venkatesh argues that contemporary Latin American superheroes are a hybrid of regional tropes and figures such as the famed luchador, El Chapulín Colorado, and North American blockbuster characters from the DC and Marvel universes. These superheroes channel anxieties specific to their respective national contexts. In Chile, for example, Mirageman rehashes and works through the Pinochet dictatorship and its traumatic aftermath; in Honduras, Chinche Man con...
Beyond the Hero’s Journey
Telling a story is simple, right? You take a ‘hero’ and send them on a ‘journey’. There’s a beginning, middle and an end. But what if your story doesn’t fit into that basic structure? In Beyond the Hero’s Journey, BAFTA award–winning screenwriter Anthony Mullins presents an accessible, versatile and highly visual alternative to writing that dramatically expands the range of narratives open to writers, both emerging and experienced. Fun and easy-to-use, this book looks at much-loved films from around the world, including Moonlight, Lady Bird, The Social Network, The Godfather, A Fantastic Woman, Mulholland Drive, Shoplifters, Amour, Inside Llewyn Davis and Call Me By Your Name...
Documentary Film Festivals Vol. 2
This book provides the first comprehensive overview of the global landscape of documentary film festivals, looking at its contemporary and future challenges. Contributors from across the globe reflect on how documentary has positioned itself within both internationally renowned and more alternative festivals, including IDFA (Netherlands), Cannes IFF (France), Sheffield Doc/Fest (UK), Dockanema (Mozambique), Ismailia (Egypt) and Zinebi (Basque Country, Spain), among others. With a special focus on industrial and curatorial developments, this second in a two-volume set looks at recent changes occurred in the festival circuit, such as the proliferation of markets and co-production forums, the i...
Contemporary Latin American Cinema
Contemporary Latin American Cinema investigates the ways in which neoliberal measures of privatization, de-regularization and austerity introduced in Latin America during the 1990s have impacted film production and film narratives. The collection examines the relationship between economic policies and the films that depict recent transformations in many Latin American countries, demonstrating how contemporary Latin American film has not only criticized and resisted, but also benefitted from neoliberal advancements. Based on films produced in Argentina, Bolivia, Brazil, Chile, Colombia, Ecuador, Mexico and Peru since 2010, the fourteen case studies illustrate neoliberalism’s effects, from big industries to small national cinemas. It also shows the new types of producers that have emerged, and the novel patterns of distribution, exhibition and consumption that shape and influence the Latin American filmscape. Through industry studies, reception analyses and close readings, this book establishes an informative and accessible text for scholars and students alike.
Fractured Mosaic
Fractured Mosaic is yet another kaleidoscope from Sabarna Roy’s arsenal that will take the readers to a mesmerizing whirlpool. Most of the works published in this book have been earlier published in reputed media houses as musings of an author; in this book they have been brought together for the benefit of all the readers. After the smashing hit of his earlier six master pieces since 2010, Sabarna has been constantly writing in the format of a journal to imitate how the mind works in real life. Sabarna Roy has covered all genres in his literary works: short stories, novella, ballads, narrative poetry, plays, conversations, non-fictional writing, critical analysis of ideas and events, etce...
Domestic Labor in Twenty-First Century Latin American Cinema
This volume explores the character of the domestic worker in twenty-first century Latin American cinema and analyzes how recent filmic representations of the housemaid question the marginalization of domestic servants, in particular women, by making them the center of their narratives, their families, and society. The essays in this book posit the female domestic worker as an emergent subjectivity, a complex character who problematizes and contests the hierarchical power structures within the family dynamics and new socioeconomic orders found in contemporary Latin America. Readers will find a variety of representations across the continent as well as transnational commonalities of the cinematic figure and role of the housemaid, including the negotiation of a multilayered politics of affection in the framework of prevalent paternalism, and the complex and contradictory dynamic between private and public spaces, where domestic paid labor occupies a central role in maintaining gender, class, and ethnic inequalities.
Ibero-American Ecocriticism
This book disrupts the quintessential assumptions of ecology, the politics of identity, and environmental destruction, while proposing new readings, interpretations, and solutions in the face of urgent environmental issues.
The Latin American (Counter-) Road Movie and Ambivalent Modernity
This book offers a comprehensive and systematic overview of the flourishing genre of the contemporary Latin American road movie, of which Diarios de motocicleta and Y tu mamá también are only the best-known examples. It offers the first systematic survey of the genre and explains why the road movie is key to contemporary Latin American cinema and society. Proposing the new category of “counter-road movie,” and paying special attention to the genre’s intricate relationship to modernity, Nadia Lie charts the variety of the road movie through films by both renowned and emerging filmmakers. The Latin American (Counter-) Road Movie and Ambivalent Modernity engages with ongoing debates on transnationalism and takes the reader along a wide range of topics, from exile to undocumented migration, from tourism to internally displaced people.
