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“This volume takes up the challenge of assessing the present state of Cognitive Linguistics on the cutting edge between universality and variability. Claims of universality have never been explicitly articulated by cognitive linguists but studies on embodiment, motivation and cognitive processes such as metaphor, metonymy, and conceptual integration rely on general cognitive abilities and hence tacitly assume cross-linguistic commonalities. Variability within a language and across languages has received growing attention, especially in contrastive and corpus-based studies. Both perspectives are given ample space in the articles collected in the volume. “The present volume is the first to...
Delo je monografsko zasnovana, interdisciplinarna, znanstvena jezikovno-zgodovinsko-geološko-montanistična obravnava poročil, ki sta jih med letoma 1788 in 1816 pisala rudarska nadzornika, Gorenjca, jeseniška domačina, lastniku rudišč pod Belščico v Karavankah, mecenu slovenske razsvetljenske misli, baronu Sigismondu (Žigi) Zoisu. Slovenska rudarska poročila so obsežen korpus 483-ih rokopisnih listov in so v tej knjigi prvič obravnavana v izboru 116-ih poročil iz rudišča Belščica od maja 1797 do avgusta 1805, in sicer zato, ker opisujejo rudnik Žirovnica od odprtja do dokončnega zaprtja. V spremnem besedilu avtor okvirno oriše razmere v družbi in gospodarstvu na prelomu...
By exposing the separation of art and labour, Art Work provides a valuable, historical perspective on the present-day struggle for artists' rights.
Rudnytsky explores the dialectical interplay between literature and psychoanalysis by reading key psychoanalytic texts in a variety of genres.
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Minoan ladies, Scythian warriors, Roman and Sarmatian merchants, prehistoric weavers, gold sheet figures, Vikings, Medieval saints and sinners, Renaissance noblemen, Danish peasants, dressmakers and Hollywood stars appear in the pages of this anthology. This is not necessarily how they dressed in the past, but how the authors of this book think they dressed in the past, and why they think so. No reader of this book will ever look at a reconstructed costume in a museum or at a historical festival, or watch a film with a historic theme again without a heightened awareness of how, why, and from what sources, the costumes were reconstructed. The seventeen contributors come from a variety of disciplines: archaeologists, historians, curators with ethnological and anthropological backgrounds, designers, a weaver, a conservator and a scholar of fashion in cinema, are all specialists interested in ancient or historical dress who wish to share their knowledge and expertise with students, hobby enthusiasts and the general reader. The anthology is also recommended for use in teaching students at design schools.