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Gordon Fulton provides a fascinating new study of styles in Samuel Richardson's masterpiece, Clarissa, connecting the style the characters deploy in their speech and letters with their positions in society. Fulton argues that the novel is a critical examination of the relationship between language and power and an expression of Richardson's own understanding of social interaction as a struggle for personal pre-eminence and sexual dominance.
Angles on a Kingdom analyses changing attitudes towards East Anglia within early medieval England as revealed in several important literary texts.