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Beyond the Heteronorm: Interrogating Critical Alterities in Global Art and Literature explores exclusionary practices inspired by the construct of gender and how these conventions often misconstrue and convolute sex, gender, and sexual orientation. The contributors to this collection examine literary and visual representations of critical alterities from around the globe to produce empathic and inclusive analyses of experiences shared between diverse subordinated and minoritized socio-cultural entities and collectives. Organized into three parts, the chapters critique the concepts of personhood, performativity, and the post-binary. This edited collection deconstructs gender essentialism and embraces gender inclusivity in both theory and practice.
This volume analyses Bangladesh’s human-nature/environment relationships in terms of development victimhood, environmental injustices, and resistance of the marginalized. It demonstrates how the popular GDP-based economic growth model helps governments undertake “development” projects, threatening the environment and livelihood of the poor while benefiting the affluent. It represents the extant environmentalism in the literary works in Bangla, and tales of pollution, depletion; and human-nature/environment symbiosis that shows ways to resist victimhood. Against current environmental challenges and other environmental issues, this volume presents the epitome of how politics, biodiversity, and technology meet in many cross-cutting pathways.
Despite performances that mesmerized the world for close to fifty years, Soumitra Chatterjee won his first National Award for Best Actor only in 2006. The film: Podokkhep. The director: Suman Ghosh. It marked the beginning of a professional relationship that resulted in some of the best films of the legendary actor’s final phase. And a personal bonding whereby the veteran thespian went on to become a friend, philosopher and guide to the young film-maker. In Soumitra Chatterjee: A Film-maker Remembers, Suman Ghosh goes down memory lane to provide a fascinating insight into his interactions with the actor. From the time he first met Soumitra Chatterjee on the sets of Goutam Ghose’s Dekha, ...
Historically, Indian cinema has positioned women at the intersection of tradition and a more evolving culture, portraying contradictory attitudes which affect women’s roles in public and private spheres. Examining the work of three directors from West Bengal, this book addresses the juxtaposition of tradition and culture regarding women in Bengali cinema. It argues the antithesis of women’s roles, particularly in terms of ideas of resistance, revolution, change, and autonomy, by suggesting they convey resistance to hegemonic structures, encouraging a re-envisioning of women’s positions within the familial-social matrix. Along with presenting a perception of culture as dynamic and evolv...
Although the motion picture industry in India is one of the oldest and largest in the world—with literally thousands of productions released each year—films from that country have not been as well received as those from other countries. Known for their impressive musical numbers, melodramatic plots, and nationally beloved stars, Indian films have long been ignored by the West but are now at the forefront of cinema studies. With the prolific number of films available, it can be difficult to know what to watch. In 100 Essential Indian Films, Rohit K. Dasgupta and Sangeeta Datta identify and discuss significant works produced since the 1930s. Examining the output of different regional film ...
On the Sundarbans delta of West Bengal, India; contributed articles.
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Sound is a new area of interest in the Arts and Humanities. The study of sound in cinema has only recently been established in Film and Media Studies. Furthermore, so far, attention has focused on Hollywood and European cinema in this regard. Reading sound from other world cinemas, particularly those from the global South, remains underexplored. As India is currently the world’s largest producer of films with a formidable global presence, this book bridges the gap with a collection of interviews, introducing leading film industry sound practitioners from the subcontinent. The book examines historical developments from the advent of the talkies to present-day digital cinema productions, providing an embodied understanding of the unique Indian film sound world with new perspectives on cinematic narration in the practitioner’s own words.
Cinema Todayis a survey of world cinema and the films that have dominated our screens over the last 30 years. Written by Edward Buscombe, academic and leading authority on Westerns, Cinema Todaymarks the key turning points in the film industry, identifies important trends and assesses the work of film-makers who have made a significant contribution to the medium since 1970. Fully illustrated, Cinema Todayis informative, comprehensive and up to date, and provides a unique resource for academics, students and anyone with an interest in the moving image and the film industry.