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Shyam Benegal
Shyam Benegal is the best known and most prolific contemporary film-maker from India's arthouse or 'New Cinema' tradition. This work traces a career with its beginnings in political cinema and a realist aesthetic. Sangeeta Datta demonstrates how the struggles of women and the dispossessed and marginalised in Indian society have found an eloquent expression in films as diverse as Nishant, Bhumika, Mandi, Suraj Ka Satwan Ghoda and Kalyug. The book also traces Benegal's work with his protégés and collaborators including many of the biggest names in Indian Cinema - Shabana Azmi, Smita Patil, Naseeruddin Shah, Karishma Kapoor and A.R. Rahman.
Shifting Continents/colliding Cultures
This book explores the aftermath of British colonialism on the Indian subcontinent and Sri Lanka, including the resulting Diaspora. The essays also examine zones of intersection between theories of postcolonial writing and models of Diaspora and the nation.
Shakespeare on Screen: King Lear
An up-to-date survey of Shakespeare's King Lear on screen and the aesthetic, social and political issues raised by screen versions.
The Poet’s Song
This book explores the ‘folk’ performance genre of Kobigaan, a dialogic song-theatre form in which performers verse-duel in contemporary West Bengal in India and Bangladesh. The book shows how the genre, thought to be a nearly extinct form, is still prevalent in the region. The author shows how, like many other ‘folk’ practices in South and South-East Asia, the content and format of this genre has undergone vital changes, thus raising questions of authenticity, patronage, and cultural politics. She captures live performances of Kobigaan through ethnographies spread across borders—from village rituals to urban festivals, and from Bengali cinema to television and new media. While und...
Hand Book of Low Cost Housing
In Recent Years, There Is A Growing Emphasis On Low Cost Housing To Meet The Housing Requirements Of The Millions In The Country. This Book Makes An Attempt To Bring Various Issues Related To Low Cost Housing, Under One Umbrella, Viz., Innovative Cost Effective Construction Techniques And Materials, Availability Of Funds, For Undertaking Housing Programmes, Hindrances In The Availability Of Land Due To Several Legal Complications, Upgradation Of Slums And Squatter Settlements, Low Cost Infrastructure Services, Rural Housing Scenario And Measures To Be Adopted For Making Safe And Durable Houses In Areas Prone To Natural Disasters.The Information Contained In The Book Might Prove Beneficial To The Engineering And Architectural Students, Professionals (Architects And Engineers), Both In Private And Public Sectors, Academicians Including Economists And Sociologists And Entrepreneurs In Building Industry. The Book Might Also Serve As A Useful Reference For B.Tech/B.Arch., M.Tech/M.Arch. Courses And Ph.D. Programmes Offered By Several Indian And Foreign Universities.
Dance Matters Too
Dance Matters Too: Markets, Memories, Identities is a rich intellectual contribution to the growing field of dance studies in India. It forges new avenues of scholarly inquiry and critical engagement and opens the field in innovative ways. This volume builds on Dance Matters (2009), which mapped the interdisciplinary breadth of the field. The chapters presented here continue to underline the uniqueness of a field that is a blend of critical scholarship on aesthetics and performance with the humanities and social sciences. Including diverse material, analytical approaches and perspectives from scholars and practitioners, this multidimensional volume explores debates on dance preservation and tradition in globalizing India, multimedia choreographies and the circulation of dance via electronic media, embodiment and memory, power, democracy and bourgeoning markets, classification and censorship, and corporatization and Bollywood. This tour de force will appeal to those in dance and performance studies, cultural studies, sociology as well as to readers interested in tradition, modernity, gender and globalization.
AKASHVANI
"Akashvani" (English) is a programme journal of ALL INDIA RADIO, it was formerly known as The Indian Listener. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service, Bombay, started on 22 December, 1935 and was the successor to the Indian Radio Times in English, which was published beginning ...
Brick Lane
Nazneen finds herself married off to a man twice her age and moved to London, where she meets a younger man involved in radical politics and begins to wonder if she has a say in her own destiny.
Gender, Sexuality, and Indian Cinema
This edited volume offers a comprehensive understanding of the queer space in tandem with the transforming socio-cultural-political relationships in a country that exhibits diversified shades of ideologies and history – that is, India. The featured essays deal with the presence of queerness in visual media, particularly in films and the digital arena, from multilingual and multicultural perspectives, thus creating an exhaustive discourse encompassing argument and analysis. This book aims to depict the plurality and complexity of the Indian scenario, fostering mass acceptance of queerness, a rare scholastic endeavour.
England's Asian Renaissance
England's Asian Renaissance explores how Asian knowledges, narratives, and customs inflected early modern English literature. Just as Asian imports changed England's tastes and enriched the English language, Eastern themes, characters, and motifs helped shape the country's culture and contributed to its national identity. Questioning long-standing dichotomies between East and West and embracing a capacious understanding of translatio as geographic movement, linquistic transformation, and cultural grafting, the collection gives pride of place to convergence, approximation, and hybridity, thus underscoring the radical mobility of early modern culture. In so doing, England's Asian Renaissance also moves away from entrenched narratives of Western cultural sovereignty to think anew England's debts to Asia. Published by the University of Delaware Press. Distributed worldwide by Rutgers University Press.
